2015 Toronto Pan Am Games: Eventing

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As far as I was concerned, this was the Main Event (I make no bones about my bias).  It was lovely to share it with two houseguests, who endured my rather cramped and unglamourous quarters with exceptional grace, utterly failed to complain about the cat hair, rode my horses with aplomb, and made the whole thing way fun.  One was an old friend returning to Toronto (though not, to her disappointment, to downtown — there just wasn’t time), and the other was one of those great friends you’ve never actually been in the same room with before!  Amber and Ellen, we need to do that again.

So.  Eventing started out with the first veterinary inspection (aka “the jog”), which was somewhat less entertaining than these things sometimes are because everyone was decked out in official team uniform.  Therefore, no real fashion risks.  The Canadian women looked sleek and smart in red jersey dresses with white jackets, while male teammate Waylon Roberts made do with jeans which were more burgundy than red.  The Americans, sad to say, looked slightly rumpled and casual in khakis, and many of the South and Central American riders were decked out in full cavalry uniform.  (I hate to say it, but some of the military garb had a decidedly … Nazi-ish … twist, which I’m sure was not what they were going for.  But then again, the uniforms were one of the only things not viscerally, gut-clenchingly objectionable about the Nazis.  Do not send death threats for my having said that.  Unless they’re amusingly creative and you have no intention of following through.)

This being a Team and Individual competition rolled into one, one day of dressage was all that was required. Wet and chilly wasn’t exactly what spectators had been looking forward to, but if I’d been wearing a shadbelly and boots I would have been quite content with the temperature.  First-time Canadian Team member, Kathryn Robinson, knocked it out of the park, scoring 39.8 penalty points for second overall on her lovely Let It Bee, and Jessica Phoenix and Colleen Loach also laid down really solid tests.  Waylon Roberts’s Bill Owen, unfortunately, struggled to handle the atmosphere in the big ring and did his impression of a giraffe for most of the test  — but we all figured that was the drop score (Teams keep the top three scores from their four competitors and drop the worst of the bunch) so it was fine. At the end of the day, only Brazil’s Ruy Fonseca, with his longtime partner Tom Bombadill Too, had managed to trump Robinson’s score, with 38.9 pp. America’s Marilyn Little, who’s a relatively recent convert to eventing from the showjumping world, dropped into third with 40.30 pp.

Cross-country day was held not at the Caledon Equestrian Park, but at Geoff and Ann Morgan’s Will O’ Wind Farm, about 20 minutes away.  Will O’ Wind has hosted bunches of Ontario Horse Trials Association events over the years, and has been the site of the provincial championships on a number of occasions, but being selected to host the Pan Ams was another level of, well, everything. As in, pain-in-the-ass level 37, between the tearing up of much of the existing cross-country course (and the manicured grass dressage rings, which became a stabling area), losing the hay crop for the year, a truly paranoid level of security, and the Morgans being told they could no longer make decisions about their own land. The payoff was supposed to be a ‘legacy’ cross-country course at the two-star (Intermediate) level for Ontario riders to enjoy for years to come.  Unfortunately, that’s not really what Will O’ Wind got.  Because the Powers That Be accepted a low-ball bid for the design and construction of the course, rather than go with a bid from any of the local, extremely qualified course builders who understand Ontario conditions … they got jumps built in the southern US and shipped northward this spring on flatbed trucks.  Many of these fences were built of southern softwoods which won’t withstand a single Canadian winter, and the construction that happened locally was also substandard in a lot of ways, meaning that (among other things) the Morgans are going to have to re-do what was once a perfectly serviceable water jump in order to make it serviceable once more, post-Pan Ams.  Can you say, “clusterfuck”?

At least they did get it all finished for Pan Am cross-country day, if only by the skin of their teeth, and the weather and the footing on the big day turned out to be ideal.  Someone had decided, in an utterly typical bit of short-sightedness, that the venue could only accommodate about 5000 people, due mostly to the parking challenges, so that was the cut-off for tickets.  The event could easily have handled five times that, if only some bright spark had had the presence of mind to arrange shuttles from the expansive Orangeville Agricultural Society fairgrounds, a mere 10 minutes away, but of course that never happened.  (Overall, ticket availability for the equestrian events was all kinds of stupid, as tends to happen at major Games.  Online sales portals said the events were sold out, while the stands turned out to be half empty.  I’m told what often happens is that huge blocks of seats are held back for corporate use.  Said tickets are handed out to sponsors and other affiliated organizations which then never use them.  Meanwhile, actual interested people bang their heads against walls and take their frustrations out on their children and dogs.)

Admittedly, it’s been a few years since I last saw Central and South American event riders competing in any significant numbers (we’re talking the Winnipeg Pan Am Games, in 1999), but it was fantastic to see how much the standard of cross-country riding has improved in these nations since the last century.  Let’s just say there used to be a lot of scary, kamikaze riding out there, but I didn’t see any of that this year at Will O’ Wind.  Granted, the Pan Am Games is run at the two-star level, which is nowhere near as demanding as, say, the Rolex Kentucky CCI****, or even a three-star like Fair Hill or Jersey Fresh.  But every rider and every horse looked like he/she/they belonged there, and there were very few falls or other incidents.  Part of the equation might have been that many of the up-and-coming teams forked out the big bucks to hire world-class coaches, leading into the Games.  Brazil, which ended up with Team silver and an individual bronze for Ruy Fonseca, clearly reaped the benefits of having Mark Todd on board — and they’re keeping him for the foreseeable future.  Mexico had Karen O’Connor coaching them, Venezuela had Kyle Carter, and Guatemala had assistance from Peter Gray.  (Neither of the last two countries managed to finish as a Team, sadly, but they looked a lot more solid in their attempts than they might have otherwise.)

(It’s Sir Mark Todd, looking a bit grim and wearing a jacket with “Brazil” on it!  We’re not worthy!)

Never mind the stupid Wayne’s World videos, I hear you cry.  How did the bloody Canadians do???  Well, three out of the four smoked around, adding nothing to their dressage scores.  Admittedly, one of those was the individual gold medalist at the last Pan Am Games, but considering that she was riding with a very-recently-repaired collarbone and liver (along with various other injuries suffered in a fall at Jersey Fresh at the beginning of June), it was pretty damn encouraging.  Unfortunately, however, Kathryn Robinson and Let It Bee had a tough day at the office.  Not sure how it happened, considering this combination has four-star mileage, but somehow they came a cropper at the second fence, an impressive but straightforward table.  Rider fall = elimination, and they hadn’t even gotten going properly.  I had been looking forward to seeing them go — they’re based in the UK so no-one in Canada had much familiarity with them, and I suspect Robinson was given a Pan Am team slot largely as a consolation prize for having been named to the World Equestrian Games team for 2014, then being told she hadn’t gotten her paperwork in on time and was ineligible (despite an Equine Canada high-muckity-muck having assured her that all was kosher).  To have flown your horse across the pond to finally wear that Team jacket, and then crash and burn that early, must have really blown.

With Robinson picking up the Big E, Canada no longer had her stellar dressage score to call its own, and was forced to count Waylon Roberts’s somewhat-less-than-stellar result (65.1 pp).  Michel Vaillancourt’s stadium course did not prove all that influential (there were lots of clear rounds), and the end result was Team bronze, which was rather less than we’d been hoping for.  Luckily, thanks to an error of judgement on the part of a French rider a year ago, which belatedly resulted in a positive drug test and France being disqualified after the fact from the 2014 WEG, Canada had retroactively moved up one placing at the WEG and had already secured a berth for the 2016 Olympics in Rio de Janeiro, which was really all we cared about.  The US eventing team, which had an even worse time in Normandy than we did, clinched its eligibility for Rio with its Pan Am gold, and Brazil … well, being the host country they were already invited to Rio, but the pleasure they got out of landing the Team silver and an individual bronze was infectious, and I think everyone was rooting for them.

Many people — including the riders — were anticipating a second stadium round to determine the individual medals,since that’s a format which has been used at the Pan Am Games before.  Not this time, apparently.  The math was done based on the completed single stadium round, and Jessica Phoenix and Pavarotti, the reigning Pan Am individual champions, missed the repeat by less than a single rail (42.10 pp).  They settled for silver this time, behind American Marilyn Little and her mare RF Scandalous (40.30 pp).

Out of 43 competitors, 10 were eliminated on cross-country, either for a fall or for too many refusals, and there was one Guatemalan entry who withdrew at the jog.  The top 17 competitors made it round the cross-country with no time penalties, a reflection of the slightly more generous time allowed at the two-star level (time is generally more influential once you get to three- and four-star competition).  Eight nations managed to finish in the Team competition (at least three out of four riders completed):  USA, Brazil, Canada, Ecuador, Mexico, Chile, Uruguay, and Colombia.  Argentina, Venezuela, and Guatemala failed to finish in the team competition, but two of the Argentinian riders and one from Venezuela got around.  So, you know, progress.

Here’s another photo gallery, of stadium and dressage and medals and shit.

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(Also — I really, really should shut up about it, but I have to say my uniform comments came about because this image popped up in my mind.  Oh, the adolescent hotness!)

2015 Toronto Pan Am Games: Dressage

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Hey, it`s a Canadian blog, so you`re gonna get pix of the Canadians.  All of whom were legitimately excellent, and I don`t say that lightly — all four delivered tests that were the best I`d ever seen from them, especially Belinda Trussell`s Anton, who, frankly, had the best piaffe in the Games and wuz robbed of a medal, IMHO.

Dressage at the Pan Am Games has a complicated history.  The Pan Ams are qualifiers for upcoming Olympic Games, and as such are hotly contested, but for the past couple of decades at least, the level of competition has been at the Prix St. Georges/Intermediare level, not the Grand Prix level demanded at the Olympics.  Which means a country may qualify for the Olympics, but will probably not be sending the horses and riders who cinched the qualification, because it takes more than a year to take a ‘small tour’ horse and have him confirmed and solid at the ‘big tour’ level.

Recognizing that the standard of dressage has improved markedly in Central and South America and the Caribbean in recent years, the Powers That Be decided for the Toronto Games that countries with the resources to do so could bring up to two Grand Prix partnerships of their four that made up a team.  Riders who showed at the Grand Prix level were given more weight on their results (I think it was a coefficient of 1.5) than the Prix St. Georges horses.  The US, Canada, and Argentina all managed to scare up two Grand Prix horses to send to Toronto, and Mexico and Uruguay each had one GP horse.  The happy result was that spectators didn’t have to sit and watch the exact same test all day, but it did make the scoring, and the qualifications for the individual medals, confusing to say the least.

There was also considerable debate as to how many competitors from each nation were allowed to move forward to the individual round, after the US took the Team gold, Canada the silver, and Brazil the bronze.  The FEI issued a bunch of contradictory statements the night before, and apparently volatile Team meetings back in the barns went into the wee hours, before it was declared that each nation could send forward only three of its four qualified riders.  That meant both Canada and the US had to leave one horse in the barn despite qualifying scores.  Which kind of sucked, but it did ensure that spectators got to see more individual freestyles from more countries.

Have to say, the South Americans have the best music for freestyles.  The North American musical selections have all gotten to be much of a muchness, due in part, I think, to the fact that there are only two or three people writing and choreographing these things for the riders.  We could use a little more soca and samba and a fair bit less of the generic-movie-soundtrack type stuff.

And here’s the afore-mentioned Puerto Rican rider, Luis Denizard, and Royal Affair, in a probably-illicit snippet from their freestyle, embracing the Leonard Bernstein:

End result:  The US claimed individual gold (Steffen Peters and Legolas 92, 80.075%) and silver (Laura Graves and Verdades, 79.825%), and Canadian Chris Von Martels, who had put in a spectacular freestyle with Zilverstar, hung in for the bronze (79.50%).  The other two Canucks, Belinda Trussell and Brittany Fraser, tied for fourth with 76.80%.  Canada didn’t qualify for the Rio Olympics with their Team silver — there was only one spot going begging and we would have had to have won gold to get it.  There are still some opportunities to qualify individuals, but it’s going to take more expensive trips to Europe to do it, so may those with the deepest pockets, win.

Ten Things About the Toronto Pan Am Games

Now that it’s all over except for the continuing self-congratulatory smugness (Toronto’s, I mean, which might or might not be justified — the actual numbers rating its success have not yet been released) … I figured I’d better recount my experience at the 2015 Pan American Games for posterity.  This may, in fact, be practically the only place in which I do so, assignments from magazines and newspapers having been discouragingly thin on the ground.  So much for home court advantage.

Watch this space for some separate blog posts on each of the equestrian disciplines (dressage, eventing, and showjumping), which are the only three sports I got to see in the three-week run of the Games.  Yup.  Despite my best efforts, I completely failed to get to any of the other venues for which I had media access, much less any of the concerts and other entertainments.  The last Pan Am Games I attended was Winnipeg, in 1999, and I had a blast going to free concerts, jazz clubs, and outdoor theatre performances in the evenings while I was there (and favourably revised my opinion of Winnipeg in the process).  I guess the difference this time was that I was trying to fit the Pan Ams around all the regular demands of my life — teaching riding lessons, getting my own horses fed and worked, doctor’s appointments, truck breakdowns, and so forth.  Somehow, the hassle of making it all the way into downtown Toronto from my home base in the boonies, never quite seemed feasible.  I am bummed about having missed Colin James though.

Anyway.  For what it’s worth, here are some random bits of snark about the Toronto Pan Am Games.  In no particular order.

1. OVERBLING:  The medal for sheer overbling has to go to the South American dressage riders, especially the women.  If there was a location where they could legally place Swarovski crystals, they did so, unreservedly.  From their hair bows to their helmets to the tops of their shiny black patent boots, to their gloves, their horses’ braids and flyveils and browbands and, yep, even the cantles of their saddles, there was really no such thing as too much bling.  The places where the press were allowed to photograph were too far from the ring to tell for sure, but I strongly suspect that those who had experience with Rio-style carnival makeup may even have had bling on their eyelids.  In general, the South Americans put the Northern hemisphere riders to shame in the stylin’ department — the Argentinian eventers, for example, had the most drool-worthy boots (or maybe they were half-chaps) in their flag’s sky-blue-and-white colours.  (They also had way better music for their dressage freestyles.)

2. EMBRACING THE CLICHES:  I had to love the Puerto Rican dressage rider who rode his freestyle to selections from “West Side Story”.  I confess, I can never hear an announcer say the words “Puerto Rico” without a little echo of Rita Moreno in my head … but you have to figure that they’re sick to death of it in the actual country.  Took chutzpah, then (or cojones) to say, fukkit, I’m not going to cringe about it … I’m just going to go there, goddammit.  

Also, there was a Venezuelan showjumper named La Bamba.

Canada, however, was not to be outdone when it came to cliches.  From the moment I heard that the cross-country course for the eventing competition was going to feature, um, Canadiana … and that it was going to be built by Americans and shipped up on flatbeds from South Carolina … I dreaded the outcome.  The end result was not quite as bad as I’d feared, but it did have carved beavers, Canada geese, something that was supposed to be a keg of maple syrup, and a water jump that seemed to be a mishmash of every overworked Canuck icon the designers could toss together in a single obstacle.  It had one jump bristling with lobster pots, another with a stylized Toronto skyline on it, and a rather regrettable wooden grizzly with a salmon in its mouth … positioned at the base of a water trickle that I was reliably informed was supposed to represent Niagara Falls.  WTF? doesn’t really cover it …

And then there was the showjumping course, which was slightly less horrifying, cliche-wise, though there was a plank jump emblazoned with an image of Mounties galloping straight at the observer with their lances in attack mode, something adorned with oversized cowboy boots and saloon doors (presumably representing Calgary), and another which mimicked a mountain pass in the Rockies with a railroad bridge spanning it.  The blocks on the top were little rail cars, so I guess when the blocks were knocked down (which was only a couple of times), it was (groan) a trainwreck.

3. THE MUSKOKA CHAIR DEBATE:  One of the more popular bits of decor in the showjumping ring was a pair of giant green Muskoka chairs, which every rider and groom on Facebook apparently felt compelled to climb up into for a selfie.  The Americans, however, kept erroneously referring to them as “Adirondack chairs”, and couldn’t figure out what was supposed to be Canadian about them.  Sources on the infallible interwebz disagree, of course, on the provenance of the Muskoka chair vs. the Adirondack, but at least some of them will tell you that the Muskoka chair is subtly different in its design and the curve of its back.  But both of them are bloody difficult to lever yourself out of, particularly the eight-foot kind.

4. FUGLY:  Is it just me, or is this sculpture, which was squatting in the Caledon Equestrian Park, fugly as hell?  Maybe not, since people seemed compelled to pose in front of it on a daily basis for even more selfies.

Much more egregious were the outfits inflicted upon the hapless presenters-of-medals-and-stuffed-toys.  Can you say, “shapeless beach cover-up”?  I think back to the presenters at the Beijing Olympics, who looked utterly stunning, and I try to imagine what the Pan Am people were thinking when they approved these horrid, droopy, waist-less, sweatpants-gray monstrosities.  Seriously, who looks good in this fabric?  One out of 10,000 supermodels, that’s who.  And to top it off, each dress was cut at exactly the right length to flatter no-one in this universe.  These girls were putting on a brave face, but personally I would have been mortified to have turned up in public in one of these.  Hashtag fashion fugliness.

5. FAILURE TO COMMUNICATE:  By most ratings, Canada is not a Third World country.  But we do have an alarming predilection for re-inventing perfectly good wheels.  In the instance of the Pan Am Games, that meant that procedures which have been in place for major sports events around the world for years or even decades, were not necessarily in place here in Toronto.  Felt a little like we were either deliberately trying to represent as a provincial backwater, or we were stuck in some wormhole taking us back to 1985.

The official broadcaster for the Pan Am Games was the venerable CBC, which has long been of the opinion that showjumping is the only equestrian sport with any merit whatsoever.  (It’s a bit of a circular argument:  if North American spectators never get to see eventing or dressage or combined driving, how is it supposed to develop a following?  Numbers for broadcasts of Badminton or Burghley, in the UK, would seem to suggest there’s massive untapped appeal.  Ugh.)  So in its infinite wisdom, the Ceeb — which had sewn up exclusive video rights to absolutely everything — declined to show up for most of the equestrian events.  Which meant that we didn’t even have a video feed in the press tent, thus rendering the luxurious air conditioning in there useless because we had to be outside in order to see what was going on.  There was also no live scoring for the dressage, something that has been available for yonks at most major venues and should have been a no-brainer.

There were also all the usual communications fuck-ups that go with most major Games.  Nothing disastrous, just a lot of Orwellian, “you were allowed to walk past the warm-up rings yesterday, but today you were never allowed to do that and whoever told you that you were didn’t have the authority to do so and you should have known that” type stuff.  The rules for the media seemed to change on a daily basis, which inevitably led to a lot of bitching and frustration from those of us who were trying like hell to comply but couldn’t tell which rules were the real ones.  I’m willing to bet it was the same for the riders and grooms and assorted Team hangers-on from the various nations.

There was a concerted effort made to make these Games more accessible to various types of ‘new’ media (podcasters, bloggers, vloggers, web publications, and basically anyone who wasn’t the host broadcaster) and we were all told in no uncertain terms that we should not fuck it up because Toronto was being closely watched and that it would set a precedent for next year’s Rio Olympics and beyond.  But a lot of the attempts to make media access to the athletes more ‘casual’ just didn’t work.  At the Caledon Equestrian Park, they decided to forego the standard end-of-day press conferences with the top three riders, in favour of just having everyone swarm the poor souls in a noisy corner of the tent.  Later, when that turned out to be unsatisfactory, they tried to set up the athletes in the press seating at one end of the stands — next to the VIP seating, which at the end of each day was cranking up for another deafening party.  Most of what I got on my digital tape recorder was unintelligible, even when I had managed to elbow my way near the front.  But at least the poor riders had chairs to sit in.  Note to the Pan Am organizers:  if it ain’t broke …

6. PECULIAR PORCUPINE:  How a stylized porcupine in a baseball cap came to be the mascot of the Toronto Pan Am Games is another one of those inexplicable Dafuq? decisions.  If I were selecting a species of wildlife to represent Toronto, I’d think the obvious choice would be a raccoon.  (For the uninitiated, Toronto is overrun with urban raccoons, who hang out on people’s fire escapes and can finagle their way into any variety of garbage can ever designed by humans.  They are fearless, intimidatingly intelligent, and absolutely huge.)  I also have no idea where the name “Pachi” for the mascot originated.  I’d like to think perhaps it’s Ojibwe for porcupine or something, but that’s not bloody likely.  In any event, I was told that the strangely multi-coloured pointy bits on Pachi’s back numbered 41, to represent each of the countries involved in the Pan Am Games (is that countries eligible to compete, or actual number of countries which sent at least an athlete or two?  No clue there either).  Certainly there were fewer than 41 ‘quills’ on the little stuffed-toy versions of the mascot that medal-winning athletes were given in lieu of flowers.  (The looks on the faces of some of the South American guys who received them was priceless, though.)

7. JOURNALISTS BEHAVING BADLY:  As noted above, the CBC was the only body officially allowed to take video of the ‘field of play’ (ie. athletes actually competing in anything).  Other media outlets could take video interviews of athletes in the ‘mixed zone’ or outside the venue, and they could send out still photos of the action with a 30-minute embargo, but that was it.  At the beginning of the Games, that meant there were volunteers patrolling the stands trying to confiscate people’s iPads — though eventually that was given up as a lost cause.  The more people were told they couldn’t take video, the more affronted everyone got when it became apparent that the CBC had zero intention of even providing livestreaming or posting anything on-line after the fact.  YouTube became the place to go …

Still, I was unimpressed when I heard that two of the accredited Canadian journalists in our midst were blatantly taking video and posting it on their magazine’s website.  I can understand when paying spectators want to preserve a video clip of their nation’s representative(s) for their own enjoyment, but this was another deal entirely. Guess they missed that little (mandatory with your accreditation) lecture about spoiling it for the rest of us?  They very nearly got their accreditations yanked, and I would not have been the only one to tell them not to let the door hit them in the ass on the way out.

8. ALL THE FAKENESS:  These giant mutant daisy things sprouted like triffids all over the dressage arena at the Caledon Equestrian Park.  They were at least five feet tall.  I told a couple of American journalists who asked that they were trilliums, the provincial flower of Ontario.  (There was actually a rather nice showjump which had real representations of trilliums; it showed up later.)

Another headscratcher:  the cross-country course, at nearby Will O’ Wind Farm, was decorated throughout with huge volumes of fake, plastic flowers.  And they looked really …. fake.  I dunno, you’re in Ontario, in July, in the middle of some of the richest farmland in North America … you couldn’t scare up some real flowers and foliage maybe?

9. THE SOUND OF SILENCE:  Did no-one tell the American fans that Canada is right next door?  As in, within driving distance for many?  At most events of this size, Canadian cheering sections are accustomed to being drowned out by loud and persistent, “USA! USA! USA!” chants and lots of screaming.  The American brand of patriotism can be a little oppressive, to be sure, but you have to admire their enthusiasm.  Maybe the Pan Am Games are just not on the American radar (though any event in which Murkans have this good a shot at lots of gold medals, you’d think would be very popular)?  Speculation aside, the Canadian riders were greeted by roars from the crowd and lots of flag-waving (it’s worth noting that the vast majority of the Canadian competitors, in all three disciplines, live within an hour of the Caledon Equestrian Park — it’s a very horsey neighbourhood).  But the Americans got mostly crickets, or polite smatterings of applause at best, and it was actually kinda sad.  They must have felt rather lost without their usual wall of noise.

10. KICKSTARTER?:  The next Pan Am Games is in Lima, Peru, in 2019.  Always wanted to go to Peru.  Send money, please?

(Please note:  pretty much all the images in this post, and the next few, are Copyright (c) Karen Briggs, 2015.  Using them anywhere else without my express permission, and fair payment, will quite possibly result in my hunting you down like a dog and making your life squeamishly unpleasant.  Thank you.)

Mud, Mosquitoes, and Mayhem

I promised I was going to usher you into the mysterious unseen world of the horse show press tent, right?

That’s assuming, of course, that there actually is one.

Over the past 15 years or so, I have experienced many levels of media preparedness on the part of horse shows.  Rarely sublime, often ridiculous.  Of course, the general level of making-life-easy-for-journalists has improved vastly with the advent of wi-fi.  (Look, contact with the outside world — oh, bliss!)

But given that horse shows are generally situated somewhere out in a muddy field, it’s little wonder that what most journos might consider the basic basics — stuff like phone lines, electricity, and chairs — are often in short supply, and were even more so 15 or 20 years ago, when I first started trekking to these festivities.

There’s a three-star three-day event called the Fair Hill International, which occurs every October in Elkton, Maryland.  (For the uninitiated, equestrian sports, and especially eventing, are ranked in difficulty by the number of stars, ranging from one to four.  There are only six four-star three-day events in the world and they are seriously, seriously badass.  A three-star event is one level below that, but just to put it in perspective, the three-day eventing competition at the Olympics is at the three-star level.)

Fair Hill is a gorgeous place, but given the time of year when the event is held, it’s almost invariably a mudpit.  And the first year that I arrived there to cover it for the British eventing monthly confusingly called “Eventing“, I sunk my rental car to the axles in the parking lot, schlepped through a sea of goo to the centre of activity, and failed to locate anything in the way of a structure that was designated for weary journalistic travellers such as myself.  After a good deal of feckless squishing around the trade fair, I finally located someone with a walkie-talkie, who looked me up and down with wonder and said something along the lines of, “Wow, we have PRESS!”

Okay, so safe to assume there’s no internet access, then …

The 1999 Pan Am Games, in Winnipeg, wasn’t much better.  While most of the competitions were very well-organized, the equestrian events were orphaned out in Bird’s Hill Park, some considerable distance from the rest of the venues and completely off the organizing committee’s radar.  Once we had visited the main press outlet in a huge urban convention centre, and claimed our oversized plastic press passes on lanyards, we were on our own.  We soon discovered that, in all the excitement of erecting dressage rings and building cross-country courses and battling the world’s largest and most aggressive squadrons of mosquitoes, that no-one had really factored in the presence of press out at Bird’s Hill.

Not only was there no press tent, there was no food.  The only fast-food truck was back in the stabling area, where we lowly journos were forbidden to venture.  (I nearly got my foot run over by an overly-aggressive security person in a Gator, when I suggested that it might be nice if someone brought all of us out some peameal sandwiches.  Sheesh.  Give some people a badge and a radio, and they become megalomaniacs.)

By day two, we were all doing rock-paper-scissors-lizard-Spock as to who got to do the Tim Horton’s runs (about 30 km from the park), and by day three, the delightful woman who had been organizing the feeding of the many, many volunteers it takes to run equestrian events at the Pan Am Games, started making all of the journalists and photographers extra sandwiches in brown bags.

Honestly, it was just about the sweetest thing I’ve ever seen.  And she got us Pan Am shirts and hats too.  I still have the hat somewhere.

At the other end of the press tent spectrum is Spruce Meadows, the showjumping Mecca in Calgary.  I haven’t had the pleasure of covering all that many tournaments at Spruce Meadows, but they can invite me back anytime.  Not only is there a climate-controlled press centre with every desired amenity from closed-circuit tv (should you not desire to look out the picture windows at the ring) to a scrum area, printers, and (gasp) flushies … but for the journalists covering the big weekend classes with the million-dollar sponsorships, they actually wheel in steam tables laden with prime rib, shrimp, three veg, and desserts.  Plus china plates, linen napkins, and cutlery.

I’m gonna say it again.  Cutlery.  Still makes my toes curl with sheer glee.

For journalists habituated to subsisting on potato chips, purchased three days earlier at a gas station and crushed into powder in one’s backpack, this isn’t just a pleasant meal, it’s an absolute revelation.

And by now, you’re probably coming to one very important and correct conclusion:  a fed journalist is a happy journalist.

It’s true.  We are simple, simple creatures, easy to lull into a state of contentment.  Again, it’s possible that this is all standard practice in other arenas of sports journalism, but I, for one, never ever take it for granted.  Mostly because it’s far more the exception than the rule, and one can’t even really assume that because it was offered one year, it will be offered another.

Take another three-star three-day event, called the Foxhall CCI***.  It required a flight to Atlanta to get to this one, but when it was launched, with much fanfare, by a local polo guy with deep pockets who committed to a 20-year run and huge (for eventing) prize money, we footloose freelancers were all intrigued.

So I land at the Atlanta airport, walk about 30 miles from concourse to concourse, claim my little rental car and navigate my way to the showgrounds, which is out in a communications dead zone where no cel phone comes out alive, about half an hour from Atlanta.  I am weary, I am grumpy, and I drag my laptop and cameras to a tent labelled “press” …. where I am immediately handed a huge plate of fried chicken and biscuits, and asked, “Red or white?”

Well.

Unfortunately, the exceptional hospitality at Foxhall didn’t last.  By year three, someone in accounting had cancelled just about all of the perks first showered upon the journalists, and had instituted box lunches that we could purchase for $8 apiece.  (And they were egg salad.  Yecch.  If egg salad were the last food on Earth, I would starve to death rather than consume it.  It’s just revolting.)

By year five, there was no press tent at all … just a power outlet that myself and the one other remaining freelancer who turned up, located up by the stables and took turns using to keep our laptops going when the batteries started to run low. The tycoon had apparently made some unfortunate business deals and was flat outta money.  The show lost its sponsorship and was unable to secure another one.  Needless to say, that 20-year deal failed to be honoured.

I don’t miss schlepping all the way to Atlanta, but man, that fried chicken was exceptional.

Truth is, however, we don’t attend horse shows for the food.  (Well, except for Fair Hill, which features amazing crab chowder in styrofoam bowls.)  We just want to write a good story about the action, and we’re prepared to make some sacrifices to do so.   My expectation, these days, is for a wobbly table and a plastic chair set under a leaky, drafty tent. If there’s a power outlet and internet access, all else is gravy.  And let’s face it, wi-fi, phone lines, and hydro are all fairly recent expectations.   Horse show grounds, historically, have not been the easiest places with which to provide these luxuries.  I get that.

Even Bromont, another three-day event site which once hosted the equestrian events at the 1976 Montreal Olympics and thus boasts a large, permanent grandstand, had zero in the way of power outlets or wi-fi available to the press last time I was there.  I had to beg a corner of the scorer’s trailer because I was filing daily reports for a website … where I was relentlessly entertained by an Equine Canada official who was drunk as a skunk, and getting increasingly belligerent, as she added up the scores.  Incorrectly.  Par-tay.

I know I’m not the only intrepid girl reporter who remembers huddling in a leaky tent at Rolex, the feet of my plastic chair sinking into the wet grass, clutching the edges of the garbage bag protecting my laptop from the elements, mentally begging the dial-up to work, and never once thinking, “I could have been a civil servant and worked in a nice, beige, upholstered cube farm somewhere.”

Thankfully, the Kentucky Horse Park was selected to host the World Equestrian Games in 2010, so its press tent set-up received gradual upgrades in the lead-up years, culminating in the whole business being moved indoors (indoors!) to a roomy space overlooking one of the indoor arenas.  With plumbing and all.  Now, all I have to kvetch about is that the windows give a tormenting view of the trade fair below, which I have neither the time nor the cash to peruse.

Many of my colleagues have trekked around the world to cover Olympic Games and World Equestrian Games and are more familiar with the scale of the press centres attached to these events than I; again, alas, not having a surfeit of Air Miles at my disposal, I have had to sit most of those out.  But the Kentucky WEG did give me a taste of the possibilities, without the associated hassles of passport-carrying.  (Though I did get various versions of pat-downs every dim early morning as I entered the park with my gear.)  Yes, it was a tent, but it was a tent designed for 1200 people, with an attached interview tent and a designated cafeteria just fer little ‘ol us.  (Overpriced, to be sure, but handy nonetheless.)  We had flatscreen TVs so we could watch the action in multiple arenas, we had Canon set up on-site with its IT guys, and my particular circle of acquaintances seemed to have a knack for winning the Rolex door prizes of bottles of champagne, by correctly guessing the nightly leaders on the scoreboards of the eight different equestrian disciplines we were all trying to cover.

I think champagne tastes particularly festive when sipped from a paper cup.

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