Writing From the Right Side of the Stall

Carefully curated musings (um, okay, rants) about the writing life, horses, bitterness and crushing career disappointment. Fun, right?

Second Class Citizen, or, Why I Wasn’t at the Royal Winter Fair This Year

citizenSo there’s this big indoor horse show in Toronto every November (for the past 95 years, anyway).  I haven’t been covering it for the past 95 years, obviously, but every year from somewhere around 1989 or 1990, I’ve been there with my media accreditation, providing coverage of the Royal Winter Fair for one (or more) magazine or newspaper or website or another.

That’s a long time to feel like a second class citizen, but every year, this giant, hulking dinosaur that is the culmination of the horse show season manages to find a way to do that to the media faithful which, frankly, bust their asses to drive ticket sales to this monolith.

I think I’ve mentioned before that we swamp-dwelling freelancers don’t expect an avalanche of perks when we attend an event. We’re sure as hell not in it for the swag, and our expectations are exceedingly modest.  I can’t speak for everyone, but in recent years I’ve been attending events like this with the knowledge that I’m more than likely going to lose money on the whole deal, what with assignments having become as common as unicorns farting rainbows, and pay rates plummeting to the level of “exposure” or “we’ll pay you if your article gets shared more than 10000 times”.

We expect — in the case of the Royal Winter Fair, anyway — that we will drive insane distances, several nights in a row, in Toronto rush-hour traffic (second only to Los Angeles on the list of hellish rush-hour scenarios in North America, we’re ever so proud to say), fight tooth and nail for a parking spot, brutalize our feet hiking across kilometres of concrete, get our shins bashed by entitled breeders with double-wide strollers the size of a ’53 Buick Skylark, endure endless line-ups for overpriced food, be harassed by security every time we try to access or leave our designated media seating to line up for the washrooms, and file our stories well past midnight in a room yonks away from the show ring which doesn’t really have any work stations set up to accommodate us (and that’s if some bright spark hasn’t locked the frigging place up while we were getting our quotes in the after-class press conference).

But we at least hope to come away with something worth writing about, and a modicum of respect and appreciation for what we do.

Unfortunately, of all the horse shows I have covered over the past few decades — and there have been a few — I can recall none which treats the media with such utter contempt as does the Royal.  Overall, the show has gotten progressively meaner, cheaper, and less and less welcoming to the public over the past 20-odd years, enough so that most of us who’ve been around that long can wax nostalgic about the good old days, when there used to be comfy couches and (gasp) coffee and snacks in the media centre, when there were tables in the media seating at the show so we could write without having to hunch over laptops on our laps, when there was a media coordinator assigned to assist us in lining up interviews, not obstruct us and treat us as if we were constantly trying to rip off the show.

Of course, those were also the days when there used to be a hella good party going on at the end of most of the show evenings, sometimes with a live band, or at least a pretty good DJ — and since this was the pre-internet age, we generally didn’t have to file on the same night, so we had the luxury of staying for a drink and a dance.  I have partied with some pretty Big Name Riders at the Royal.  A friend of mine once hit Nick Skelton in the eye with a champagne cork.  And I even (ahem) did the Walk of Shame across the lobby of the Harbour Castle Westin early one morning, feeling like a total cliche, after an encounter with a yummy French showjumper.  There, the secret’s out.  (It was many, many years ago, folks …)

Once upon a time, the Royal used to kick off with a media breakfast, wherein we penniless scribes would gather for omelets and mimosas and a little preview of what to expect from the fair that year.  It was all very pleasant and civilized.  These days we can’t even get a cup of coffee … not that I drink the stuff, but sheesh.  (Full disclosure:  I think there might have been a few bottles of water in the media centre, hidden under a table, at one point — be still, my heart.  Not that I was offered any.) 

One of my perpetual pet peeves over the years has been the total lack of regard for the media’s struggles with parking.  There’s an underground parking garage at the Exhibition grounds, which for the duration of the fair has a large designated VIP area which is typically three-quarters empty.  Yet the Powers That Be on the RWF board can’t find it in their parsimonious hearts to offer up half a dozen lousy parking spaces for the media??  I have brought this up on a number of occasions, and have been told every time that it was out of the question.  Instead we fork out $17 (last I was there — it’s probably more now) each night for the privilege of going round and round the outer reaches of the garage, sucking in carbon monoxide and searching in vain for a safe place to leave the truck.  More than once I have ended up missing the class I was supposed to cover.  

ain't nobodyLast year, my fed-up-ness all came to a head.  The previous media coordinator for the horse show, a lovely woman who is a friend of mine and did all she could to accommodate my needs, within the constraints (shackles?) applied by the fair board, was let go under somewhat mysterious circumstances, possibly to do with an excess of honesty … and replaced with a woman who has her own public relations agency and clearly was more interested in advancing her own agenda than the show’s.  We’ve known each other for a couple of decades, at least, and she’s well aware that I freelance for many different outlets.  Yet she re-structured the media accreditation procedures so that, in essence, you had to re-apply for it every evening of the show, with no guarantee that it would be granted, nor that anyone would actually be available to hand it to you when you arrived.  (I spent well over an hour and a half chasing people around the trade fair outside the horse show coliseum on the first night I attended last year, in order to finally secure my pass 40 minutes after the class I was there to cover had concluded.  Fanfuckingtastic.)   In addition to just being a giant pain in the ass, this has the effect of making it very difficult to promise an editor you’re going to be able to deliver anything.

In addition to that, she sent me an email, three days after the show began, to inform me that she had ‘checked’ and that I actually didn’t work for the Chronicle of the Horse, the magazine for which I was writing last year, and that as a result my accreditation had been summarily revoked.

I stared at this email for a while, I admit, before I fired off an indignant reply that said, “Um, you do understand what a FREELANCER does?”  Of course I don’t work for the fucking Chronicle.  I never have.  Frankly, I was absolutely furious:  my entire raison d’etre last year was to find stories the Chronicle thought were worth publishing, and instead of facilitating that, they were playing insulting head games with an established journalist who had been helping get bums in seats for literally decades.  Are. You.  Fucking.  Kidding me??

Eventually they backed down — and at the close of the press conference for the big World Cup class that night, one of the Royal’s minions slunk up to me and asked, semi-apologetically, “We all okay?”  Well, that’s a big honking NO, honey.  We are not.

And here’s the rub:  I didn’t actually find anything last year, in the end, that the Chronicle wanted to publish … because the Royal has become massively irrelevant.  Where once they wanted reports on at least all the major showjumping classes (two Grands Prix, the now-defunct Nations’ Cup and Puissance classes, the Canadian showjumping championship, and various and sundry Table As and Table Cs), the dressage night (once a World Cup qualifier, now nothing more than an invitational demo night for local riders), and the indoor eventing, the interest on the part of American editors has shriveled down to a request for a short (600 words, max) report on just the Wednesday night Grand Prix (which McLain Ward tends to win with frightening frequency) in 2015, and nothing whatsoever on the final night Big Ben Grand Prix or anything else.  In 2016, I was told that the ‘timing wasn’t right’ (the Chronicle is a weekly) but that they would like me to attend and see what sort of feature stories might come out of the fair.  Okay, it was enough of an excuse for me to show up on a couple of nights.

But the thing is:  there really wasn’t much with which to titillate my editor.  I sent her three ideas, and was told: meh, meh, and ‘interesting but we just did something similar to that’.  And that has been more or less the response of all of the other editors, whether Canadian, American, or European, with whom I’ve been in contact over the past couple of years:  the Royal is irrelevant.  

And no wonder, given the choices the fair board continues to make.  For instance, here’s one of the big features of the fair this year:  Goat Yoga.  

FFS.  Really?

Last year, it was bunny jumping.  As in, little courses of verticals and oxers that children (mostly unsuccessfully) tried to persuade their pet rabbits to hop over.  Christ on a cracker.

If there’s something good happening at the Royal, you can pretty much guarantee that the fair board will squash it in favour of something monumentally stupid.  It’s a pattern I’ve observed for over 20 years.  The ‘fair’ portion of the show — you know, the agricultural part, the “once a year, country comes to the city” part, where you give prizes for sheafs of wheat, homemade preserves, butter tarts, and the fanciest Red Island Rock

butter turkey

This is a turkey sculpted from butter.  Pretty much says it all about the Royal.

hen?  Now relegated to a forlorn, far-off corner somewhere near Scarborough, and consisting basically of two misshapen giant pumpkins and an extra-long corn stalk.  The butter sculptures done every year by students from the Ontario College of Art and Design?  Tucked away in a temperature-controlled trailer somewhere beyond the cattle barn where few fear to tread.  They don’t display prize-winning sides of beef or lamb anymore, either — city peeps be squeamish about that sort of thing.  But hey, you can get six fake pashmina scarves for $45 in the trade fair, not to mention an idiotic wooden walking stick with a Psalm burnt into it, (ideal for whacking your fellow pedestrians in the shins) from some insipid, ever-present gang of proselytizing pseudo-Christians.  

Oh, and apple dumplings and potato rosti, which I do legitimately miss.

On the whole, the show is a shadow of its former self.  So much so that the ‘mink and manure’ set doesn’t much bother with the formal wear that used to be de rigueur for the evening classes.  (I think I was one of the only members of the media left who made some effort to observe the ‘black tie’ requirement for the press in the evenings — mostly because it’s a novelty for me to be able to break out the girl clothes and the sparkly heels.  My feet always regretted it acutely, but I do like swishing around in taffeta every now and again.  The few journos from the Toronto dailies who still show up tend to settle for scruffy cords and pilled sweaters.)  

royal people

Royal people.  One of the little joys was always watching for the fashion gaffes … of which there were many.

 

Most telling, however, is the fact that this year, the Royal Winter Fair was scheduled at the same time as the National Horse Show in the US (once held in New York, but moved a few years ago to Lexington, Kentucky).  Back in the day, there was an end-of-season indoor circuit, starting with the International show in Washington, DC, then the National, and culminating with the Royal — and all three had Nations’ Cup classes, which made it attractive for European showjumping teams to fly over and do the three shows.  In 2017, the Royal is such an anachronism that even the American riders (never mind Europeans) don’t care about it enough to schedule around it.  That has to have a serious impact on entries, and not only in the jumper divisions.

The end result is that none of my former markets have any interest in coverage of the

Something about these lumpy pumpkins is stressing this kid out to the point where he/she is undressing ...

Something about these lumpy pumpkins is so profoundly disturbing that children are disrobing.  I don’t profess to understand it.

Royal Winter Fair anymore.  And that makes my attendance there not worth my while, given that (contrary to the belief of the fair’s Powers That Be, which continue to insist I am ripping them off by my mere presence) I stopped having fun at the fair about 15 years ago.  Apart from bargain turn-out halters from the trade fair (which I can now get just as easily on-line, without coughing up $50 in gas, $17 in parking and $27.50 for admission, if I were to pay admission without a press pass), there’s little incentive … and to be treated as dismissively and insultingly as I was last year was the icing on the sagging cake.  

So no thanks to the Royal.  It can circle the drain without me.

 

 

 

 

 

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Scream It Until Their Ears Bleed: Pay the Fucking Writers

dont-work-for-free.jpgAnother delightful rant on the subject of writing for free, especially for the Huffington Post, courtesy of Chuck Wendig’s “terribleminds” blog.  Recommended, especially for some of the insults.

Excerpt:  “The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.

“…HuffPo would have you believe that not paying means that somehow, the integrity of the information remains intact. What it misunderstands is that, if HuffPo isn’t paying, then who is? Someone is always paying. Or, at the very least, someone is always selling something.”

Scream It Until Their Ears Bleed:  Pay the Fucking Writers.

Death and Dissatisfaction

after

Funerals (and most other religious rituals) baffle the shit out of me.

I attended one last Saturday morning, for a friend of a friend — a woman whom I had met a number of times, but couldn’t say I knew well.  She had had the misfortune of being diagnosed with liver cancer.  Three months, start to finish.  It was quite tragic.

I believe in showing support to the living in such circumstances, so I tend to show up to the services if I can … but honestly, what anyone gets out of these rituals is beyond me.

A few thousand years of civilization, and we don’t seem to have moved an inch beyond slaughtering a goat on an altar. a fuck I dont give

Now, I confess (before I go any further) that I’ve pretty much always had a jaded view of religion, so if you’re deeply offended by the opinions of anyone who doesn’t buy into your exact version of sky fairy, then you might want to leave this page forthwith and go play Candy Crush now.  Because if there’s one thing I’ve learned, it’s that I’m unlikely to change your mind.

It’s the last taboo, isn’t it?  Never say anything critical about religious beliefs, lest you offend.  So no matter how idiotic those beliefs are, no matter how much they fly in the face of logic and science and basic common sense and decency, we should never utter a word in defiance of it, because the believers have delicate sensibilities and don’t want their bubbles burst.  Well, fuck that.  Sorry.  It’s way past time we started to challenge this nonsense.  It’s been choking the planet for millenia.

This particular service was of the Catholic persuasion, which is a whole special kind of bizarre.  I guess if you’re brought up in that culture, it could potentially … well, not make sense, exactly, but be comfortingly familiar, if you don’t examine it too closely.  (Luckily, most organized religions teach not examining it too closely as part of the catechism.  Faith means not asking any fucking questions, Emily, dammit.)  But to an outsider … well, fuck me, it’s strange.

hand grenadeI’m a certified heathen (given the above paragraphs, that likely isn’t news), so what little exposure I’ve had to Catholic worship practices has been at weddings and funerals, which is perhaps not completely representative.   But my instincts suggest that the everyday Sunday services are in large part the same deal, because it’s the sameness of it that people seem to like.

I arrived just as the service was getting started, and ended up sitting in the choir loft as the pews downstairs were pretty much full.  So it was me and a half-dozen wizened little octogenarians, who began to sing in wobbly voices as I tiptoed up the stairs.  I’m actually a trained soprano, and frankly, they could have used my help, but the hymns were lame and I didn’t know them anyway, so I let their lead vocalist struggle along as best she could.  I’m sure gawd gives brownie points for effort.

Scanned around the church below me.  (Choir lofts are reasonably good for unrestrained gawking.  I’ve sung at a number of my friends’ weddings over the years, and I vastly prefer being up in the choir loft to being downstairs in a strapless lilac taffeta bridesmaid’s gown, its ill-fittingness on display to all and sundry.  You can misbehave a little up there, or at least smirk at the more idiotic parts of the ceremony.)  I’d been told this little local church had lovely stained glass, but from what I could see they were pretty unimaginative.  Ordered from a catalogue.  Is there a Catholic Catalogue?  You know, where you can order jfca basic chalice in simulated gold plate, and get a better price if you order three or more?  Choose incense replacement cones in six deity-approved scents?  Is there a Lee Valley sort of catalogue where the chalice has clever hidden features in it (maybe a nail file and a USB hub for those 15-verse hymns)?   And where do the priests and clerics and such order their imitation-gold-thread trim for their robes, and the little sashes that proclaim them holier than thou?  Inquiring minds want to know.  Oh, look, Sister Eugene Immaculata, the spring House of God catalogue is here.  What’s new in resurrection accessories then?

So yeah, okay, it didn’t take long for my mind to start to wander.

About halfway in on this service, the guy in the gold rick-rack trim invited practicing Catholics, and anyone who just enjoyed the hell out of a dry rice cracker, to come up to the altar and eat the body of Christ, starting with the choir, who apparently get to be first in line for their service.  I guess I must have been obviously clueless as to the rituals of the Catholic church, because as the choir filed past in front of my pew, one tiny blue-haired lady patted me on the hand, leaned in, and whispered conspiratorially, “Communion time!”.  Like she was going downstairs for a chocolate chip cookie or something.  I’m guessing it’s the highlight of every funeral for her?

As I watched people line up for their not-a-chocolate-chip-cookie-at-all, I tried to wrap my head around the rituals I’d been observing, and just how little sense they make.  The whole service was just a series of repetitive motions that have long since lost their meaning.  Well, if they ever had any in the first place.  You wipe out the chalice with the ritual cloth, pour in a quantity of whatever liquid passes for wine these days, place the Blessed Square of Cardboard over top (presumably, to dissuade the consecrated flies in the church?), and when you come to that point in the ceremony, you remove the cardboard, hold the cup aloft (so gawd can see it better), and someone rings a little bell three times.

So, say, if the bell only rang twice, would the sky fairy be offended?  If you have a brain fart and forget part of the ritual, do you have to start all over again? (There does seem to be infinite potential for do-overs in the Catholic faith.)  Is gawd going to turn his virtual back on you if you do it wrong?  Stand up when you should be kneeling, sit when you should be standing?  Not knowing the secret handshake?  And what, exactly, determined that this particular set of actions is what will most appeal to hisself and keep you from getting whacked with a lightning bolt?

Imagine the sheer cacophony of recited prayers and tinkling bells and munching wafers coming from a hundred thousand funerals, happening simultaneously on a Saturday no heavenmorning on every corner of the planet, all emanating up to heaven to the ears of a waiting deity who (apparently) wants things done Just So.  Which souls does he select for the big golden key to eternity out of that noise?  And does having a Philistine in the chapel thinking these heretical thoughts, just shoot the whole process of crossing all those T’s and dotting those I’s, in the proverbial divine foot?   Nope, sorry, unbeliever in your midst, applying logic and demonstrating a shocking lack of acceptance of stuff that makes no sense.  Push the buzzer, open the hatch, you lose.

Seriously, we have evolved not at all.  It’s every inch as barbaric and primitive and bizarre as throwing babies down a well 2500 years ago.  Or mummifying your cats to go on the journey to the afterlife with you.  Appease the gods or you don’t get the imaginary gifts we’ve promised each other that he/she/it/they bestow.

In my teens, I had aspirations of acting in musicals.  Tried out for a number of community productions, but while I could certainly belt out a show tune, and I think I was a passable actor, I failed to be the triple-threat because I just couldn’t seem to learn the dance steps in a few minutes like the other hopefuls at the auditions.  Worship?  I suspect if I were to try, I would pretty much always be doing it wrong.

And the worst of this service was, there was almost nothing in it about the actual deceased.  As I mentioned, this was not a woman I knew particularly well.  I would have liked to have heard some stories about her, from those who were closer to her.  (Maybe that happened at the reception, which I couldn’t attend.)  I would have liked to have power of prayerknown more about her — because now that she’s dead, the memories of who she was and what she did with her life, are the only things keeping her from evaporating completely.  We all like to think we have some small impact on the earth in the cosmic blip of time we’re here, but apart from passed-down stories and perhaps a headstone that lasts, at most, 100 years in Canadian weather, let’s face it:  we are inconsequential and our names will not resonate for more than a generation or two.

We funeral-goers got the ritual song and dance (and really, you have to wonder about the level of job satisfaction for the priest), but there was no substance at all.  Nothing whatsoever about this woman’s words or deeds or accomplishments.  Just platitudes about her being our “sister” and being welcomed into the gates of heaven because some 60 years ago, someone had dripped water on her then-tiny forehead.  A prerequisite.  Her passport was valid, evidently.  But if I’d been her husband, sitting there in the front row, I would have found the whole deal intensely unsatisfying.

As much as it befuddles me that any all-powerful being would need a bunch of barely-sentient critters on its planet to constantly grovel and praise it/him/her/ohfuckwhatever … or what, exactly, the enduring appeal is of being told you are filthy and sinful and not worthy and that you need to remove yourself from all pleasure and fun and live your life according to a litany of arcane (and cherry-picked) rules corrupted down through the ages … this stuff clearly does provide some comfort for some people.  Admittedly, the ones coming to the front of the church for communion looked to be newly returned from their snowbird condos in Sarasota,  as indicated by their tans and their cruise-wear, so perhaps they’ll soon be extinct and we will finally reach a planetary age where we can begin to leave this nonsense behind.  (Can you imagine living in the Middle Ages and having every single fricking thought and action dictated to you by the Church?  I’d have gone postal and taken out a cooperage or a pigsty or something.)

Because the sheer cognitive disconnect you need to employ just to buy into any of it?   To never, ever have a moment where your brain says, “Um, now wait a minute, that doesn’t really sound quite right to me …”?

Must be utterly exhausting.  And it really can’t be anything but destructive to go through life that fundamentally (sorry) deluded as to reality.  Witness the current US Republican race.  Ugh.

Suppose I really can’t finish this off without the obligatory Life of Brian sequence, can I.

 

 

 

 

 

30 Ways To Piss Off Reporters

Featured Image -- 2700Because it’s been a while since I posted anything writing-related … hell, it’s been a while since I posted anything, period. This is a nicely snarky perspective on the thorny relationship between PR and the media. My favourite is the press conference with no questions …

@conwayfraser

During media training sessions, I share examples of easy ways to completely piss off a reporter — not as a tutorial — but as a cheeky way to say DO NOT do these things ever if you want to maintain any kind of healthy relationship with media.

Below you will find the ones that bothered me when I worked as a journalist. There are definitely others so feel free to share in the comments section below. I had some help from some friends and former colleagues. So, please do add to the discussion.

Do any of these things, and you’re in for a world of fun. Trust me.

1. Tell a reporter how to do their job – They love that. Criticize the subjective tone or focus of a story while you’re at it. Bonus points if you can do this while never mentioning that the story was technically 100% accurate.

2…

View original post 1,576 more words

A Soft Spot for Standardbreds

DSC_3003_1420 sportswriterI have a big, squishy soft spot for Standardbreds. (Like the banner photo at the top of the blog wasn’t a bloody obvious tipoff on that.)

Probably has something to do with having grown up just a few klicks down the road from Windsor Raceway.  Essex County was jughead country, once upon a time — that’s really all there was in terms of horseflesh, apart from a smattering of Quarter Horses.  I did my time grooming at the track, learning to adjust hobbles and wrap legs and clean a shit tonne of harness and pretending to drink the nasty coffee the farriers were kind enough to hand me when I took my charges to the backstretch shed to get their shoes reset. (Never been a coffee drinker.)  And I dealt with my share of razzing from the other grooms, who figured I was just a clueless ridin’ hoss kid.  (Yeah, guys, I knew there was no such thing as stifle boots.  I wasn’t that green.)

Of course, my rescuing instincts kicked in early, encouraged by the fact that newbie grooms aren’t generally handed the stable’s superstars to rub on.  Of the four under-performing horses I was responsible for, I found après-racing homes for two in short order — a gorgeous gray Laag descendant who had two of the worst bowed tendons I’d ever seen, and a cute little bay nicknamed Toby, who looked more like a Morgan than a Standardbred, and became a beloved trail horse for a friend of mine.  The first horses I ever broke to ride on my own were Standardbreds, too — the very first being a 13-year-old pacer named O O Charlie, who swung his head around to peer at me when I first climbed on his back, raised one sardonic eyebrow which clearly said, “Humans and their damn fool ideas”, and then quietly got on with his new job.

OLYMPUS DIGITAL CAMERA

I’ve always done what I could to promote the idea of Standardbreds as riding horses — because, let’s face it, without that opportunity for them once their racing careers are done, the only other options are a can … or a home with the Mennonites.  There’s a large Mennonite community west of Toronto, and they go through a lot of horses, but in many cases they buy them for practically nothing off the track, pound them into the ground in a year or two (you only have to see the condition of some of these horses, trotting or pacing furiously down the side of Highway 86 next to the transport trucks and school buses, to know they’re not long for this world), and then dump them for meat price at the auction in St. Jacob’s, pick up another, and start the cycle all over again.  I’m not saying the entire Mennonite community subscribes to this approach — there are some amazing horsemen among them — but too many do for anyone to think that such a fate is likely to be good news for an ex-racehorse who’s already given his all.

As riding horses, though, Standardbreds suffer from something of a branding problem.  To some degree, I blame the gallo blue chiplack of chrome.  Standies tend to come in bay, bay, or bay, with a minimum of white markings to bling them up.  Chestnuts are rare, grays and roans even rarer.  Not a lot of flash there to attract the average ammie owner.

Historically, they’re also … well, kind of ugly.  Jughead, buckethead … at one time, the name fit.  They don’t race on their faces, so it was never an issue at the track, but given the choice between a big Roman nose and a little Arab-y dished face, most riders will go for pretty.  The reality is that Standardbreds over the past 30 years or so have become far, far more refined and elegant than they used to be, and the big clunky heads are all but gone from the gene pool, but a lot of people don’t realize that.

Then there’s the gaited thing.  Standardbreds come in two varieties:  trotters, and pacers.  Trotters have the normal three gaits — walk, trot, and canter — but the pacers have an extra gear, the lateral two-beat gait that endows them with blinding speed (pacers are generally a second or two faster over a mile than trotters are, which is why there are separate divisions for each gait and they don’t race each other).  The tendency to pace is there even in some of the trotters, and the pacers can be taught to trot; in fact, they often prefer it when not in racing hobbles, but tend to revert to pacing when they get discombobulated.  Trouble with that is, pacing ain’t the most comfortable thing under saddle, and most DSC_3180_1563 admirals express1competitive horse sports require trotting.  There are few dressage tests, for example, written for “trot or alternate gait”. (Interestingly, many pacers can be encouraged, with the right training and shoeing, to perform some version of a single-foot or racking gait, like many other types of gaited horses.  It’s kind of an intermediate between trotting and pacing, and very smooth to sit to when done correctly.  Not a whole lot of call for it here in Ontario, though, where interest in gaited horses is a fringe thing at best.)

In addition, while Standardbreds are absolutely capable of cantering and galloping, they have been actively discouraged from doing so all of their racing lives.  To go from trotting or pacing, to galloping, in a race, is called ‘making a break’, and it means the driver must get the hell out of the way of the horses who are still moving their feet in the approved way, drop to the back of the pack, and resume trotting or pacing before rejoining the race.  Generally, it means you’ve got no shot at a paycheque, so in harness racing, galloping is verboten, and it can be a tough training hurdle to convince an ex-racehorse that it’s now okay to use that gear, both because of the inhibition cemented in their brains by race training, and because most of them are frankly rusty at doing it.  Canter can be added to any Standardbred’s repertoire, but it takes patience and persistence (and sometimes some creativity) to make it happen.

So those are the marketing challenges. On the up side, there’s lots to like.  Standardbreds are tough, athletic, intelligent, eager to please, and temperament-wise I have to admit they are way more tolerant and sensible than your average off-the-track Thoroughbred.  (As a lifelong owner of OTTBs, I say that with love.)  Those who have racing experience will cross-tie, stand for the vet and the farrier, load on any trailer.  And not to overstate the obvious, but they come broke to drive.  Riding is a pretty simple transition for horses who already understand voice commands, rein aids, and mouth contact.

Plus, they’re generally dirt cheap.  Or free to a good home.

Organizations like the Ontario Standardbred Adoption Society are doing excellent work promoting Standies as Hillary Lunn Call To Dance Gingerpotential riding horses, and the recent upswing in interest in “racing under saddle” (RUS) in Ontario is helping too.  “Monte” races (as they’re called in Europe) have always been popular in Scandinavia, and the RUS circuit here is growing every year.  (Note to trainers:  I so want to do this!  Gimme a horse and some silks, and I will give it my best shot!)

So as I’ve expanded my interest in judging over the past few years, it was kind of a natural development for me to end up judging schooling shows for Standardbreds.

Yes, Standardbred shows are a thing.  A fairly recent thing, in Ontario at least, but it’s evolving into a nice little circuit of a half-dozen shows or so over the course of each summer.  The idea is to showcase the versatility of the breed, so as a judge, you better be pretty damn versatile yourself.  

So how does that work?  At a minimum, you’ve got to be prepared to cover showmanship, halter, leadline classes, pleasure and equitation, dressage, trail, gaming (barrel racing, pole bending, and the like), pleasure driving, obstacle driving (aka “cones”), hunter and jumper classes over fences, costume classes … and pretty much anything else the show organizers can come up with. We’re talking both English and Western classes, open and youth (under 18) … with allowances made for gaits.  For many of these horses, canter or lope is still a work in progress, so competitors can enter a flat class which only requires walk, and trot or pace (pacing is not penalized as long as it is consistent), or they can be brave and go for the walk/trot-or-pace/canter option (or walk/jog-or-pace/lope in the case of Western classes).  

You do need to be open-minded to do this job.  Some of the horses who’ll turn up in the show ring have had years of mileage under saddle, and could easily compete in open shows anywhere without anyone being the wiser about their former careers (unless, of course, the white freezebrands on their necks give them away).  Some of them do. Others are still fairly fresh to this whole riding thing, and are coping with the new requirements as best they can.  Some — and this still blows me away — compete in these shows while still maintaining active racing careers!   So, you know, you make allowances.  On the whole, I find most Standardbreds adapt to the requirements of English classes a little more easily than they do Western — I have yet to judge a Western pleasure class at a Standardbred show where any of the horses was really delivering a slow jog or a balanced, slow lope (but then again, given the current state of the ‘real’ Western pleasure industry, that’s not entirely a bad thing, methinks).  There’s a fair bit of zooming around, and refraining from posting to that big trot (or pace) is a tall order, but on the up side, a fair number of Standardbreds do suit Western fringes and sequins surprisingly well.  And lemmee tell you, I enjoy the hell out of those blingy outfits, because it helps me differentiate between all the bay entries on my judge’s card.  I can scribble “turquoise hat” or “purple saddle pad” or “giant silver hearts” at the beginning of the class, and it makes finding each entry at a glance a lot easier. Not so with the English classes, where the attire tends to be much of a muchness just like the horses!  

cryoThe halter classes are something of a challenge, too.  Generally, in a halter class, you are rewarding conformation of a certain type, and blemishes are penalized.  If I penalized blemishes in a Standardbred halter class, there’d be no-one left to pin a ribbon to.  Most of these old warriors have some sort of track jewellery on display — so my job is more about deciding whether pin-fire marks on the front cannons are less or more objectionable than a big knee or a pair of extensively cryo’ed hocks.  (Cryo is about treating injuries with super-cold liquid nitrogen, and it leaves tell-tale white marks when the hair grows back in.)  I try to step back and take in the big picture on each horse, rather than nitpick about the scars.  Is he balanced and athletic?  Does he look the part for the class in which he’s entered (ie. is he more of an English type, or Western, or even Saddleseat)?  Can he keep out of his own way, and is he groomed within an inch of his life and presented with pride?   That’s my thought process for these classes.

The awesome thing about these horses, and their extremely devoted owners, is that they’ll often compete in just about every class for which they’re eligible, all day long, and never complain. They’ll often do all the English classes in the morning (mom in the open classes, and a son or daughter in the tack for the junior division), switch to Western in the afternoon, and hook up to a jog-bike or a Meadowbrook for the end-of-day driving classes … and then come back in the costume class festooned with feather boas, finger paint, and giant sunflowers.  That’s a tall order for any horse, let alone one who came to his or her riding career relatively late in life.  I’ll be honest:  they may not necessarily be fulfilling all the requirements of every class extraordinarily well.  Sometimes what’s happening in front of me wouldn’t quite cut it in an open show, competing against other breeds.  But that’s kind of the point:  the Standardbred shows give them a place to try out new skills in front of people who are going to cheer rather than sneer.  It’s a hugely supportive environment, and everyone tries so damn hard, I often have tremendous difficulty awarding the placings.  I want them all to win. What’s more, they’re upping their game every year.  When I compare what I saw at the first of these shows I ever judged, five or six years ago, to what I witnessed in 2015, I’m amazed at how far so many of these riders and horses have come.  

It’s not a judging gig that everyone would relish.  It’s a little outside the norm of a typical hunter schooling show, where I generally watch horses go over the same one or two outside-diagonal-outside-diagonal courses all fricking day, first at two feet, then two-foot-three, then two-foot-six, then … you get the gist.  With so many classes, Standardbred shows can also make for a helluva long day.  But I get a huge kick out of them, and I hope we start to see more of them outside Ontario soon. (Ahem. Have clipboard, will travel …)

Further reading on second careers for Standardbreds:  

From Trot magazine: My article on the adoption of Primetime Bobcat: Ninth Life of One Cool Cat

From the United States Trotting Association website, my coverage of one of the first RUS races in Ontario in 2011:  Trotters Do It Under Saddle At Georgian Downs

From the Daily Racing Form:  Plenty of Life After Racing

From Standardbred Canada:  Life After Racing

Info on the Ontario Standardbred show series:  Standardbred Showcase

And here’s a new article which sheds some light on the canter thing:  Why Some Standardbreds Canter More Easily Than Others

Ten Things That Seem to Inevitably Happen in Horse Books

Reblogged with permission, because it amused me.  Thanks to Kim Ablon Whitney.

By the authors of HorseBackReads

Between the seven of us, we’ve written a number of novels about horses.  And none of us can claim we managed to avoid all of these horse-book cliches!

1. The horse of uncertain breeding that becomes a national champion overnight.  Why aren’t you looking for your next winner in a dusty backyard or at the killers?  Apparently that’s where all the good ones are.

2. The heartless, tough-as-nails, evil trainer who basically abuses their students.  Okay, these really do exist in real life.

3. The barn fire or other horrid barn incident.  This is when everyone pulls together.  It’s awful and then it’s beautiful.

4. The tragic accident that scars the main character for life.  It could be the horse that died crashing into a huge oxer, the best friend that died crashing into a huge oxer, or the main character herself who nearly died crashing into a huge oxer.

5. The girl with Olympic dreams.  Does everyone have to dream of the Olympics these days?  Why not shoot for something more attainable?  They do know only five riders go every four years and one’s an alternate, right?

6. No trainer supervision.  Where’s the trainer?  Nowhere in sight.  These kids are on their own.  Because kids today are always schooling themselves for the junior jumpers.

7. The spoiled rich girl who everyone hates.  It. Never. Gets. Old.

8. The former Olympian who kindly decides to take the poor, talented girl under his wing.  Because every talented rider out there with little funds knows that amazing trainers are driving around to schooling shows in the middle of nowhere looking for their next working student.

9. The parent who can’t get it right.  Mom’s either a former rider who doesn’t want her daughter to ride, or Dad never rode and finally wants his daughter to succeed at something.  Either way, they’re unbalanced people.  Or they’re simply inexplicably MIA.

10. Sex in the hay loft.  Sex on itchy, rash-inducing hay — yeah, that sounds amazing!

Looking for your next horse book (with or without cliches)?  Check out www.horsebackreads.com.

Another Diversion: Wellington-Waterloo Hunter Pace

bentley and spike wwhuntMy student Sarah Cuthbertson has saved me the trouble of writing a blog post about this. Here’s her rundown of the Wellington-Waterloo Hunt’s fall Hunter Pace, in Puslinch, Ontario, with lots and lots of helmet-cam video. I’m on Spike (the bay) and Sarah’s horse Cricklewood, aka Bentley, is the gray.

Eat Sleep Ride Repeat

On Sunday September 13, Karen agreed to lug me and Bentley out to Puslinch, Ontario to take part in a Hunter Pace put on by Wellington Waterloo Hunt.

For those of you who are thinking “what in the world?!”, let me explain what it is without screwing up any of the details.  It’s an event that is supposed to simulate a hunt – but without the hounds, or the actual hunting.  Royally confused yet?

They laid out a trail through forest and fields, marked with ribbons and signs.  You are supposed to travel at a pace similar to what you would do if you were at a real hunt, the signs set the scene and gave you clues as to how to pace certain areas.  Earlier in the day, the hunt master will have ridden the trail, and decided on an optimum time, and whoever gets closest to the optimum…

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Parker the Precocious

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I know I still haven’t posted about the Pan Am Games showjumping, and I will get to that just as soon as I finish editing an absolutely stupid number of photos, but I had to do a little brag about Young Master Parker.

Ontario summers are brief and frantic, and this year I’ve been pulled in all sorts of directions which, while interesting or productive or useful in terms of paying some bills, have not allowed me to do all that much with my own horses.  Between a number of gigs judging schooling shows (for which I’m grateful, don’t get me wrong, and yes, just FYI, I’m available for more of those), and the Pan Ams taking up a good chunk of July, I haven’t managed to get either Spike or Parker out to a single event.  Or clinic.  Or combined test.  Hell, I didn’t even drag my jumps out of storage until the end of July.  (For that matter, I also didn’t get anywhere near a beach, a hiking trail, a canoe, or a drive-in movie, either — all usual elements of my summer repertoire.  Oh well.)   I’ve been riding both of them semi-consistently, and I even succeeded in getting my filly, Trixie, backed at last (oh, gawd, add her to the list, another future blog post).  But making good use of all those expensive memberships which allow me to show?  Not so much.

So with fall looming and the wretched prospect of being buried in a snowdrift again in mere weeks, I resolved to at least get each of them out to one or two events before the end of the season … budget permitting.  The obvious choice for our first outing was Wits’ End, by virtue of it being two concessions away from my home base.  Wits’ End, owned by Jo Young and Bill McKeen, both respected officials in the sport, runs divisions from Pre-Entry all the way to Intermediate, and used to host a CIC*** before negotiations with the FEI to get a favourable date in the calendar failed, and the whole thing became too big a money-loser to continue. It’s known for its challenging, extremely hilly terrain and big, but fair, courses.  And a long, long walk from the trailer parking to the show rings.

The original plan was to take Spike Pre-Training, but he has come up with a mysterious hard bump on the back of one fetlock.  It’s not bothering him in the slightest, there’s no heat or tenderness of any kind, but given that it’s a bit of a headscratcher I decided to hold off on jumping him for a bit.  Time for Young Master Parker to step up to the plate.

Given that Parker has really only done tParker triple bar2-0020006wo events in his short lifetime, and they were both last year, I figured, damn the optics of it, we’d better stay at Pre-Entry.  I know, I know.  The shame of it.  Log, log, log, log.  And me a certified coach and all.

For better or worse, log, log, log was not really what we got.  I was a bit startled, to be honest, when I walked the course the day before the show, because there was a whole lot to do out there. For the level, I mean.  Baby horse was going to get an eyeful.  There were a few definitely-visible-to-the-naked-eye sized jumps, a couple of which were brightly coloured, but I was more worried about the technical fences, which included a Helsinki (a fence set into the side of a hill, the likes of which you rarely see on cross-country courses anymore, and certainly not at Pre-Entry) and a vertical at the top of a steep hill.  Also, there was a little ditch — and Parker had not previously had any issue with ditches, except for a week earlier, when we’d gone cross-country schooling at another local farm and he had inexplicably and repeatedly said “fuck you” at every ditch I’d pointed him at.  I stared at that inconsequential little thing for a while and thought, “Well, depending on his mood, our day just might end right here …”

I walked the stadium course, too, and it was also Not Nothing.  The fences themselves aren’t terribly big at Pre-Entry, but the track was the same one that would be used for the upper-level horses later in the day.  Among its features was a triple-bar — which I didn’t even think was legal at Pre-Entry, who knew? — with a bending line to a skinny vertical.  Is it just me, or is that way technical for a baby horse?

(I have judged a whole lot of hunter schooling shows this summer, and I could, if I wanted, insert a rant here about how there is an entire generation of kids coming up through the hunter/jumper system, who not only could not handle any of the bending lines in Parker’s mini stadium course without having a meltdown, but who these days aren’t even expected to go into the ring and jump the jumps without having a half-hour ‘warm up’ over those same bloody jumps.  But I’m trying to stay on topic here.)

Sink or swim, it was, then.  The little peckerhead would either rise to the occasion, or be utterly backed off by the experience and never forgive me.  I went home and tied his mane into tiny knots, had a quick swipe at my tack and my fancy half-chaps (still mud-splattered from hunting last fall), and then spent most of the night staring at the ceiling while I tried to ride the course in my brain.  (Having taken a number of sports psychology seminars over the years, I’m aware of the value of positive visualization, but my powers of concentration generally let S0249926me ride the first six or seven fences in my mind really, really well … and then after that, things get fuzzy.)  It felt kind of stupid to fret over a course that didn’t (probably) exceed two foot six, except that I find riding baby horses in competition a fair bit more nerve-wracking than taking a more experienced horse over considerably bigger fences.  Parker can be a bit of a wild card at the best of times, and I really wasn’t sure how he was going to react.

I won’t give you the entire blow by blow, because let’s face it, you’ve only read this far because you’re probably a personal friend and you’re being polite.  Thanks for that, by the by.  It’s not like anyone other than me is going to remember next week, what transpired and where we placed.  Suffice to say Parker handled the chaos of the dressage warm-up ring better than I expected him to, and apart from a few head-tosses, delivered what I thought was a pretty nice test for a youngling.  (And I got to wear my fabulously blingy new stock tie, too.)  The judge, tragically, disagreed with my assessment, writing on our test, “Such a shame.  A Parker dressage canter-0269937disappointing day for you.”  But then again, she (or her scribe) also wrote, “abrupt transition” for a movement which didn’t include any transitions, so, you know.  Grain of salt.  I was just pleased that he kept his head and tried hard for me.  No hissyfits = #ParkerFTW.

I got brave for stadium and left Parker’s braids in, steadfastly ignoring the wee voice in my head which recommended having a handhold available in case of emergency.  In for a penny, etc.  He dragged me down to the jumps in the warm-up area, which I hoped would translate to the stadium ring, and luckily, it did.  He isn’t fazed by bright colours, decorations or gew-gaws, and thinks jumping these things is just about the best fun there is to be had with tack on.  And wonder of wonders, the rideability between the fences is coming along — or, at least, we had fewer wobbly lines than I remember from a year ago.  We had one disagreement as to take-off spot, resulting in some awkwardness, but left all the rails up and were one of the few clears in the division.

Thus buoyed, I brought him back to the trailer and got him unbraided and gussied up for cross-country while he head-butted my most excellent groom, Sarah Cuthbertson, repeatedly. Cocky little bastard. Wits’ End was having a little photo contest in which you were supposed to demonstrate your matchy-matchy cross-country colour excesses and get a bunch of ‘likes’ on Facebook, so I dragged out the red and royal blue saddle pad, the red reins and the blue boots, and the piece de resistance, the scarlet breeches I bought at the Royal Winter Fair last year in a moment of weakness.  I figured at least I’d be easy toParker xc colours find in the long grass if the whole thing went tits up in a snowbank.  We snapped some pix, and with loins metaphorically girded, headed towards the start box.

By this point it was fricking hot out — pushing 31 Celsius, I think — so I gambled that Parker’s recent stadium experience would keep his brain in jumping mode.  I only hopped over one cross-rail in the warm-up before we presented ourselves for our count-down.  Twenty years ago, when I was competing my dear departed Toddy at Prelim, I used to get rather nauseated circling the start box, and I felt a flutter of that walking Parker around — but once we got into gear, we were both more focused on sucking in oxygen and not taking any wrong turns than on churning stomach acids.  My brat was bold as brass, and really only showed his greenness at a little post-and-rails (fence four) where he tried to veer sideways and ended up jumping it almost from a standstill, and on a couple of the steep downhills, which he was not quite balanced enough to canter down just yet.  He didn’t bat an eyelash at the ditch, nor at the Helsinki, nor at the couple of coops which were bigger than anything he’d tackled before … and he actually listened to me when we came to the vertical at the top of a steep rise, and jumped it safely.  (That one caused a fair bit of consternation with the other Pre-Entry horses.)  

I could feel him gaining confidence as he went, and by about fence 12 (the cabin in the photos at the top of this post), I stopped trying to set him up for each fence from 85 strides away, and just let him roll on down to them the way I normally would on a horse with more mileage.  He was fine with that.  1500 metres or so Parker faux ditch-0051later, we passed through the finish flags knowing a whole lot more about each other than we’d known before — which is what a good course is supposed to do, but until we did it I hadn’t been at all sure we were going to get that far!

Rather too late to say, long story short, at this point…. but on account of the time faults we racked up trotting down the hills (and the dressage score handed down by our disenchanted judge), we ended up fifth in the Open division.  Just fine by me as ribbons weren’t even on my radar for this outing.  (I’m running out of room on the lampshades anyway.)  Then, of course, Parker had to ruin our good mood by being an asshat about loading to go home — that’s still a work in progress — but overall, he’s still on Santa’s nice list.  And he may have earned himself an upgrade all the way to (gasp!) Entry level before the season’s over.  Depending on whether I can scrape together the shekels for another entry fee.

2015 Toronto Pan Am Games: Eventing

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As far as I was concerned, this was the Main Event (I make no bones about my bias).  It was lovely to share it with two houseguests, who endured my rather cramped and unglamourous quarters with exceptional grace, utterly failed to complain about the cat hair, rode my horses with aplomb, and made the whole thing way fun.  One was an old friend returning to Toronto (though not, to her disappointment, to downtown — there just wasn’t time), and the other was one of those great friends you’ve never actually been in the same room with before!  Amber and Ellen, we need to do that again.

colleen loach jog-0700So.  Eventing started out with the first veterinary inspection (aka “the jog”), which was somewhat less entertaining than these things sometimes are because everyone was decked out in official team uniform.  Therefore, no real fashion risks.  The Canadian women looked sleek and smart in red jersey dresses with white jackets, while male teammate Waylon Roberts made do with jeans which were more burgundy than red.  The Americans, sad to say, looked slightly rumpled and casual in khakis, and many ofguillermo garin ubago CHI uniform-0758 the South and Central American riders were decked out in full cavalry uniform.  (I hate to say it, but some of the military garb had a decidedly … Nazi-ish … twist, which I’m sure was not what they were going for.  But then again, the uniforms were one of the only things not viscerally, gut-clenchingly objectionable about the Nazis.  Do not send death threats for my having said that.  Unless they’re amusingly creative and you have no intention of following through.)

This being a Team and Individual competition rolled into one, one day of dressage was all that was required. Wet and chilly wasn’t exactly what spectators had been looking forward to, but if I’d been wearing a shadbelly and boots I would have been quite content with the temperature.  First-time Canadian Team member, Kathryn Robinson, knocked it out of the park, scoring 39.8 penalty points for second overall on her lovely Let It Bee, and Jessica Phoenix and Colleen Loach also laid down really solid tests.  Waylon Roberts’s Bill Owen, unfortunately, struggled to handle the atmosphere in the big ring and did his impression of a giraffe for most of the test  — but we all figured that was the drop score (Teams keep the top three scores from their four competitors and drop the worst of the bunch) so it was fine. At the end of the day, only Brazil’s Ruy Fonseca, with his longtime partner Tom Bombadill Too, had managed to trump Robinson’s score, with 38.9 pp. America’s Marilyn Little, who’s a relatively recent convert to eventing from the showjumping world, dropped into third with 40.30 pp.

Cross-country day was held not at the Caledon Equestrian Park, but at Geoff and Ann Morgan’s Will O’ Wind Farm, about 20 minutes away.  Will O’ Wind has hosted bunches of Ontario Horse Trials Association events over the years, and has been the site of the provincial championships on a number of occasions, but being selected to host the Pan Ams was another level of, well, everything. As in, pain-in-the-ass level 37, between the tearing up of much of the existing cross-country course (and the manicured grass dressage rings, which became a stabling area), losing the hay crop for the year, a truly paranoid level of security, and the Morgans being told they could no longer make decisions about their own land. The payoff was supposed to be a ‘legacy’ cross-country course at the two-star (Intermediate) level for Ontario riders to enjoy for years to come.  Unfortunately, that’s not really what Will O’ Wind got.  Because the Powers That Be accepted a low-ball bid for the design and construction of the course, rather than go with a bid from any of the local, extremely qualified course builders who understand Ontario conditions … they got jumps built in the southern US and shipped northward this spring on flatbed trucks.  Many of these fences were built of southern softwoods which won’t withstand a single Canadian winter, and the construction that happened locally was also substandard in a lot of ways, meaning that (among other things) the Morgans are going to have to re-do what was once a perfectly serviceable water jump in order to make it serviceable once more, post-Pan Ams.  Can you say, “clusterfuck”?

At least they did get it all finished for Pan Am cross-country day, if only by the skin of their teeth, and the weather and the footing on the big day turned out to be ideal.  Someone had decided, in an utterly typical bit of short-sightedness, that the venue could only accommodate about 5000 people, due mostly to the parking challenges, so that was the cut-off for tickets.  The event could easily have handled five times that, if only some bright spark had had the presence of mind to arrange shuttles from the expansive Orangeville Agricultural Society fairgrounds, a mere 10 minutes away, but of course that never happened.  (Overall, ticket availability for the equestrian events was all kinds of stupid, as tends to happen at major Games.  Online sales portals said the events were sold out, while the stands turned out to be half empty.  I’m told what often happens is that huge blocks of seats are held back for corporate use.  Said tickets are handed out to sponsors and other affiliated organizations which then never use them.  Meanwhile, actual interested people bang their heads against walls and take their frustrations out on their children and dogs.)

kyle carter VEN-0825Admittedly, it’s been a few years since I last saw Central and South American event riders competing in any significant numbers (we’re talking the Winnipeg Pan Am Games, in 1999), but it was fantastic to see how much the standard of cross-country riding has improved in these nations since the last century.  Let’s just say there used to be a lot of scary, kamikaze riding out there, but I didn’t see any of that this year at Will O’ Wind.  Granted, the Pan Am Games is run at the two-star level, which is nowhere near as demanding as, say, the Rolex Kentucky CCI****, or even a three-star like Fair Hill or Jersey Fresh.  But everymark todd BRA-0814 rider and every horse looked like he/she/they belonged there, and there were very few falls or other incidents.  Part of the equation might have been that many of the up-and-coming teams forked out the big bucks to hire world-class coaches, leading into the Games.  Brazil, which ended up with Team silver and an individual bronze for Ruy Fonseca, clearly reaped the benefits of having Mark Todd on board — and they’re keeping him for the foreseeable future.  Mexico had Karen O’Connor coaching them, Venezuela had Kyle Carter, and Guatemala had assistance from Peter Gray.  (Neither of the last two countries managed to finish as a Team, sadly, but they looked a lot more solid in their attempts than they might have otherwise.)

(It’s Sir Mark Todd, looking a bit grim and wearing a jacket with “Brazil” on it!  We’re not worthy!)

Never mind the stupid Wayne’s World videos, I hear you cry.  How did the bloody Canadians do???  Well, three out of the four smoked around, adding nothing to their dressage scores.  Admittedly, one of those was the individual gold medalist at the last Pan Am Games, but considering that she was riding with a very-recently-repaired collarbone and kathryn robinson let it bee dressage2-1093liver (along with various other injuries suffered in a fall at Jersey Fresh at the beginning of June), it was pretty damn encouraging.  Unfortunately, however, Kathryn Robinson and Let It Bee had a tough day at the office.  Not sure how it happened, considering this combination has four-star mileage, but somehow they came a cropper at the second fence, an impressive but straightforward table.  Rider fall = elimination, and they hadn’t even gotten going properly.  I had been looking forward to seeing them go — they’re based in the UK so no-one in Canada had much familiarity with them, and I suspect Robinson was given a Pan Am team slot largely as a consolation prize for having been named to the World Equestrian Games team for 2014, then being told she hadn’t gotten her paperwork in on time and was ineligible (despite an Equine Canada high-muckity-muck having assured her that all was kosher).  To have flown your horse across the pond to finally wear that Team jacket, and then crash and burn that early, must have really blown.

With Robinson picking up the Big E, Canada no longer had her stellar dressage score to call its own, and was forced to count Waylon Roberts’s somewhat-less-than-stellar result (65.1 pp).  Michel Vaillancourt’s stadium course did not prove all that influential (there were lots of clear rounds), and the end result was Team bronze, which was rather less than we’d been hoping for.  Luckily, thanks to an error of judgement on the part of a French rider a year ago, which belatedly resulted in a positive drug test and France being disqualified after the fact from the 2014 WEG, Canada had retroactively moved up one placing at the WEG and had already secured a berth for the 2016 Olympics in Rio de Janeiro, which was really all we cared about.  The US eventing team, which had an even worse time in Normandy than we did, clinched its eligibility for Rio with its Pan Am gold, and Brazil … well, being the host country they were already invited to Rio, but the pleasure they got out of landing the Team silver and an individual bronze was infectious, and I think everyone was rooting for them.

Many people — including the riders — were anticipating a second stadium round to determine the individual gold silver and bronze-1930medals,since that’s a format which has been used at the Pan Am Games before.  Not this time, apparently.  The math was done based on the completed single stadium round, and Jessica Phoenix and Pavarotti, the reigning Pan Am individual champions, missed the repeat by less than a single rail (42.10 pp).  They settled for silver this time, behind American Marilyn Little and her mare RF Scandalous (40.30 pp).

Out of 43 competitors, 10 were eliminated on cross-country, either for a fall or for too many refusals, and there was one Guatemalan entry who withdrew at the jog.  The top 17 competitors made it round the cross-country with no time penalties, a reflection of the slightly more generous time allowed at the two-star level (time is generally more influential once you get to three- and four-star competition).  Eight nations managed to brazil silver celebrate-1825finish in the Team competition (at least three out of four riders completed):  USA, Brazil, Canada, Ecuador, Mexico, Chile, Uruguay, and Colombia.  Argentina, Venezuela, and Guatemala failed to finish in the team competition, but two of the Argentinian riders and one from Venezuela got around.  So, you know, progress.

Here’s another photo gallery, of stadium and dressage and medals and shit.

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(Also — I really, really should shut up about it, but I have to say my uniform comments came about because this image popped up in my mind.  Oh, the adolescent hotness!)star trek nazis

2015 Toronto Pan Am Games: Dressage

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Hey, it`s a Canadian blog, so you`re gonna get pix of the Canadians.  All of whom were legitimately excellent, and I don`t say that lightly — all four delivered tests that were the best I`d ever seen from them, especially Belinda Trussell`s Anton, who, frankly, had the best piaffe in the Games and wuz robbed of a medal, IMHO.

Dressage at the Pan Am Games has a complicated history.  The Pan Ams are qualifiers for upcoming Olympic Games, and as such are hotly contested, but for the past couple of decades at least, the level of competition has been at the Prix St. Georges/Intermediare level, not the Grand Prix level demanded at the Olympics.  Which means a country may qualify for the Olympics, but will probably not be sending the horses and riders who cinched the qualification, because it takes more than a year to take a ‘small tour’ horse and have him confirmed and solid at the ‘big tour’ level.

Recognizing that the standard of dressage has improved markedly in Central and South America and the Caribbean in recent years, the Powers That Be decided for the Toronto Games that countries with the resources to do so could bring up to two Grand Prix partnerships of their four that made up a team.  Riders who showed at the Grand Prix level were given more weight on their results (I think it was a coefficient of 1.5) than the Prix St. Georges horses.  The US, Canada, and Argentina all managed to scare up two Grand Prix horses to send to Toronto, and Mexico and Uruguay each had one GP horse.  The happy result was that spectators didn’t have to sit and watch the exact same test all day, but it did make the scoring, and the qualifications for the individual medals, confusing to say the least.

There was also considerable debate as to how many competitors from each nation were allowed to move forward to the individual round, after the US took the Team gold, Canada the silver, and Brazil the bronze.  The FEI issued a bunch of contradictory statements the night before, and apparently volatile Team meetings back in the barns went into the wee hours, before it was declared that each nation could send forward only three of its four qualified riders.  That meant both Canada and the US had to leave one horse in the barn despite qualifying scores.  Which kind of sucked, but it did ensure that spectators got to see more individual freestyles from more countries.

Have to say, the South Americans have the best music for freestyles.  The North American musical selections have all gotten to be much of a muchness, due in part, I think, to the fact that there are only two or three people writing and choreographing these things for the riders.  We could use a little more soca and samba and a fair bit less of the generic-movie-soundtrack type stuff.

And here’s the afore-mentioned Puerto Rican rider, Luis Denizard, and Royal Affair, in a probably-illicit snippet from their freestyle, embracing the Leonard Bernstein:

End result:  The US claimed individual gold (Steffen Peters and Legolas 92, 80.075%) and silver (Laura Graves and Verdades, 79.825%), and Canadian Chris Von Martels, who had put in a spectacular freestyle with Zilverstar, hung in for the bronze (79.50%).  The other two Canucks, Belinda Trussell and Brittany Fraser, tied for fourth with 76.80%.  Canada didn’t qualify for the Rio Olympics with their Team silver — there was only one spot going begging and we would have had to have won gold to get it.  There are still some opportunities to qualify individuals, but it’s going to take more expensive trips to Europe to do it, so may those with the deepest pockets, win.

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