Writing From the Right Side of the Stall

Mucking stalls. Freelance writing. How do they differ? I discuss.

Archive for the category “photography”

2015 Toronto Pan Am Games: Eventing

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As far as I was concerned, this was the Main Event (I make no bones about my bias).  It was lovely to share it with two houseguests, who endured my rather cramped and unglamourous quarters with exceptional grace, utterly failed to complain about the cat hair, rode my horses with aplomb, and made the whole thing way fun.  One was an old friend returning to Toronto (though not, to her disappointment, to downtown — there just wasn’t time), and the other was one of those great friends you’ve never actually been in the same room with before!  Amber and Ellen, we need to do that again.

colleen loach jog-0700So.  Eventing started out with the first veterinary inspection (aka “the jog”), which was somewhat less entertaining than these things sometimes are because everyone was decked out in official team uniform.  Therefore, no real fashion risks.  The Canadian women looked sleek and smart in red jersey dresses with white jackets, while male teammate Waylon Roberts made do with jeans which were more burgundy than red.  The Americans, sad to say, looked slightly rumpled and casual in khakis, and many ofguillermo garin ubago CHI uniform-0758 the South and Central American riders were decked out in full cavalry uniform.  (I hate to say it, but some of the military garb had a decidedly … Nazi-ish … twist, which I’m sure was not what they were going for.  But then again, the uniforms were one of the only things not viscerally, gut-clenchingly objectionable about the Nazis.  Do not send death threats for my having said that.  Unless they’re amusingly creative and you have no intention of following through.)

This being a Team and Individual competition rolled into one, one day of dressage was all that was required. Wet and chilly wasn’t exactly what spectators had been looking forward to, but if I’d been wearing a shadbelly and boots I would have been quite content with the temperature.  First-time Canadian Team member, Kathryn Robinson, knocked it out of the park, scoring 39.8 penalty points for second overall on her lovely Let It Bee, and Jessica Phoenix and Colleen Loach also laid down really solid tests.  Waylon Roberts’s Bill Owen, unfortunately, struggled to handle the atmosphere in the big ring and did his impression of a giraffe for most of the test  — but we all figured that was the drop score (Teams keep the top three scores from their four competitors and drop the worst of the bunch) so it was fine. At the end of the day, only Brazil’s Ruy Fonseca, with his longtime partner Tom Bombadill Too, had managed to trump Robinson’s score, with 38.9 pp. America’s Marilyn Little, who’s a relatively recent convert to eventing from the showjumping world, dropped into third with 40.30 pp.

Cross-country day was held not at the Caledon Equestrian Park, but at Geoff and Ann Morgan’s Will O’ Wind Farm, about 20 minutes away.  Will O’ Wind has hosted bunches of Ontario Horse Trials Association events over the years, and has been the site of the provincial championships on a number of occasions, but being selected to host the Pan Ams was another level of, well, everything. As in, pain-in-the-ass level 37, between the tearing up of much of the existing cross-country course (and the manicured grass dressage rings, which became a stabling area), losing the hay crop for the year, a truly paranoid level of security, and the Morgans being told they could no longer make decisions about their own land. The payoff was supposed to be a ‘legacy’ cross-country course at the two-star (Intermediate) level for Ontario riders to enjoy for years to come.  Unfortunately, that’s not really what Will O’ Wind got.  Because the Powers That Be accepted a low-ball bid for the design and construction of the course, rather than go with a bid from any of the local, extremely qualified course builders who understand Ontario conditions … they got jumps built in the southern US and shipped northward this spring on flatbed trucks.  Many of these fences were built of southern softwoods which won’t withstand a single Canadian winter, and the construction that happened locally was also substandard in a lot of ways, meaning that (among other things) the Morgans are going to have to re-do what was once a perfectly serviceable water jump in order to make it serviceable once more, post-Pan Ams.  Can you say, “clusterfuck”?

At least they did get it all finished for Pan Am cross-country day, if only by the skin of their teeth, and the weather and the footing on the big day turned out to be ideal.  Someone had decided, in an utterly typical bit of short-sightedness, that the venue could only accommodate about 5000 people, due mostly to the parking challenges, so that was the cut-off for tickets.  The event could easily have handled five times that, if only some bright spark had had the presence of mind to arrange shuttles from the expansive Orangeville Agricultural Society fairgrounds, a mere 10 minutes away, but of course that never happened.  (Overall, ticket availability for the equestrian events was all kinds of stupid, as tends to happen at major Games.  Online sales portals said the events were sold out, while the stands turned out to be half empty.  I’m told what often happens is that huge blocks of seats are held back for corporate use.  Said tickets are handed out to sponsors and other affiliated organizations which then never use them.  Meanwhile, actual interested people bang their heads against walls and take their frustrations out on their children and dogs.)

kyle carter VEN-0825Admittedly, it’s been a few years since I last saw Central and South American event riders competing in any significant numbers (we’re talking the Winnipeg Pan Am Games, in 1999), but it was fantastic to see how much the standard of cross-country riding has improved in these nations since the last century.  Let’s just say there used to be a lot of scary, kamikaze riding out there, but I didn’t see any of that this year at Will O’ Wind.  Granted, the Pan Am Games is run at the two-star level, which is nowhere near as demanding as, say, the Rolex Kentucky CCI****, or even a three-star like Fair Hill or Jersey Fresh.  But everymark todd BRA-0814 rider and every horse looked like he/she/they belonged there, and there were very few falls or other incidents.  Part of the equation might have been that many of the up-and-coming teams forked out the big bucks to hire world-class coaches, leading into the Games.  Brazil, which ended up with Team silver and an individual bronze for Ruy Fonseca, clearly reaped the benefits of having Mark Todd on board — and they’re keeping him for the foreseeable future.  Mexico had Karen O’Connor coaching them, Venezuela had Kyle Carter, and Guatemala had assistance from Peter Gray.  (Neither of the last two countries managed to finish as a Team, sadly, but they looked a lot more solid in their attempts than they might have otherwise.)

(It’s Sir Mark Todd, looking a bit grim and wearing a jacket with “Brazil” on it!  We’re not worthy!)

Never mind the stupid Wayne’s World videos, I hear you cry.  How did the bloody Canadians do???  Well, three out of the four smoked around, adding nothing to their dressage scores.  Admittedly, one of those was the individual gold medalist at the last Pan Am Games, but considering that she was riding with a very-recently-repaired collarbone and kathryn robinson let it bee dressage2-1093liver (along with various other injuries suffered in a fall at Jersey Fresh at the beginning of June), it was pretty damn encouraging.  Unfortunately, however, Kathryn Robinson and Let It Bee had a tough day at the office.  Not sure how it happened, considering this combination has four-star mileage, but somehow they came a cropper at the second fence, an impressive but straightforward table.  Rider fall = elimination, and they hadn’t even gotten going properly.  I had been looking forward to seeing them go — they’re based in the UK so no-one in Canada had much familiarity with them, and I suspect Robinson was given a Pan Am team slot largely as a consolation prize for having been named to the World Equestrian Games team for 2014, then being told she hadn’t gotten her paperwork in on time and was ineligible (despite an Equine Canada high-muckity-muck having assured her that all was kosher).  To have flown your horse across the pond to finally wear that Team jacket, and then crash and burn that early, must have really blown.

With Robinson picking up the Big E, Canada no longer had her stellar dressage score to call its own, and was forced to count Waylon Roberts’s somewhat-less-than-stellar result (65.1 pp).  Michel Vaillancourt’s stadium course did not prove all that influential (there were lots of clear rounds), and the end result was Team bronze, which was rather less than we’d been hoping for.  Luckily, thanks to an error of judgement on the part of a French rider a year ago, which belatedly resulted in a positive drug test and France being disqualified after the fact from the 2014 WEG, Canada had retroactively moved up one placing at the WEG and had already secured a berth for the 2016 Olympics in Rio de Janeiro, which was really all we cared about.  The US eventing team, which had an even worse time in Normandy than we did, clinched its eligibility for Rio with its Pan Am gold, and Brazil … well, being the host country they were already invited to Rio, but the pleasure they got out of landing the Team silver and an individual bronze was infectious, and I think everyone was rooting for them.

Many people — including the riders — were anticipating a second stadium round to determine the individual gold silver and bronze-1930medals,since that’s a format which has been used at the Pan Am Games before.  Not this time, apparently.  The math was done based on the completed single stadium round, and Jessica Phoenix and Pavarotti, the reigning Pan Am individual champions, missed the repeat by less than a single rail (42.10 pp).  They settled for silver this time, behind American Marilyn Little and her mare RF Scandalous (40.30 pp).

Out of 43 competitors, 10 were eliminated on cross-country, either for a fall or for too many refusals, and there was one Guatemalan entry who withdrew at the jog.  The top 17 competitors made it round the cross-country with no time penalties, a reflection of the slightly more generous time allowed at the two-star level (time is generally more influential once you get to three- and four-star competition).  Eight nations managed to brazil silver celebrate-1825finish in the Team competition (at least three out of four riders completed):  USA, Brazil, Canada, Ecuador, Mexico, Chile, Uruguay, and Colombia.  Argentina, Venezuela, and Guatemala failed to finish in the team competition, but two of the Argentinian riders and one from Venezuela got around.  So, you know, progress.

Here’s another photo gallery, of stadium and dressage and medals and shit.

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(Also — I really, really should shut up about it, but I have to say my uniform comments came about because this image popped up in my mind.  Oh, the adolescent hotness!)star trek nazis

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Just Pay Them, Dammit!

More preaching to the choir (presumably) … Caitlin Kelly’s take on unpaid internships. The title sez it all.

Broadside

By Caitlin Kelly

So, imagine you finally get  a shot at the industry/job/company you’ve been dying to work for forever.

Imagine you have even spent the time, energy and hard work to acquire an MBA.

But, hey, sorry, we would love to have you come work for us, but we just don’t have a budget for interns.

As if.

A court decision made this week, I hope, will strike fear into the greedheads who keep offering work without payment:

A Federal District Court judge in Manhattan ruled on Tuesday that Fox
Searchlight Pictures had violated federal and New York minimum wage laws
by not paying production interns, a case that could upend the long-held
practice of the film industry and other businesses that rely heavily on
unpaid internships.

Should the government get tough to protect unpaid interns, or are internships a win-win?

In the decision, Judge William H. Pauley III…

View original post 504 more words

Ouvrez la Fenêtre, Fermez la Porte

That’s about the level of the French I was able to muster while in Paris in April.  In other words, no better than I manage in Quebec.  Considering French is one of this country’s official languages, the Ontario educational system has a lot to answer for.  But thankfully, Parisians know which side their baguette is buttered on, and they’re pretty accommodating to oafish, unilingual North Americans.  (Or maybe they would rather switch to English than hear us butcher one more word in their native tongue.)

Two months later, I’m still basking in post-Parisian bliss to some extent, which I guess shows how badly I needed a vacation.  It was one of those rare occasions when the universe smiled.

I can’t share the macarons and the croissants and the street-vendor crepes.  They’re long gone, my friends.  But I can share a few images.  Herewith the doors (and some windows) of Paris, or at least a few of the ones that caught my eye.  I know, I know, the concept has been done to death.  It’s all over Pinterest, which is pretty much an indication that’s it’s so last year.  So feel free to call me unimaginative, derivative, a hack.  When I’m on vacation, I shoot what amuses me.

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Images of Odysseo

For the past six weeks or so, I’ve been lucky enough to work with Cavalia’s new show, Odysseo, as it has prepared to open in Toronto.  I’m the local ‘equestrian coordinator’, which means I’m the one who knows where all the local tack shops and riding schools are, which BNR (Big Name Riders) to connect with, and which associations might enthusiastically help us promote the show.  It’s been a combo pack of marketing, schmoozing, copywriting, and media relations, and one of the perks has been being able to invite several media friends to the gala opening night last night (Tuesday, May 15).  More on that in a future post …

I’ve also been in attendance at the three media previews, the most recent of which offered a condensed ‘sneak peek’ of Odysseo’s unique melding of horses, acrobats, and aerialists, and let those of us with cameras have at it.  (Cameras are prohibited for the actual performances, so this was our only shot at getting the shots!)

I knew my equipment was going to be underpowered for the challenging light conditions inside the Big Top theatre.  My lenses aren’t the fastest and my old Nikon camera body has serious limits on its ISO.  But experience has also taught me that shooting under these limitations can sometimes give really pleasing results.  Some of my favourite images from the opening ceremonies of the 2010 World Equestrian Games, for example, are blurred and ethereal shots I got after dark, with the horses captured in coloured spotlights.

Herewith a selected few images from Odysseo.  It’s not poor photography, people; it’s art!  (Say that with conviction and you can almost buy into it.)

If you’d like to see some actual in-focus images, check out my friend Shawn Hamilton’s gallery here.

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Mud, Mosquitoes, and Mayhem

I promised I was going to usher you into the mysterious unseen world of the horse show press tent, right?

That’s assuming, of course, that there actually is one.

Over the past 15 years or so, I have experienced many levels of media preparedness on the part of horse shows.  Rarely sublime, often ridiculous.  Of course, the general level of making-life-easy-for-journalists has improved vastly with the advent of wi-fi.  (Look, contact with the outside world — oh, bliss!)

But given that horse shows are generally situated somewhere out in a muddy field, it’s little wonder that what most journos might consider the basic basics — stuff like phone lines, electricity, and chairs — are often in short supply, and were even more so 15 or 20 years ago, when I first started trekking to these festivities.

There’s a three-star three-day event called the Fair Hill International, which occurs every October in Elkton, Maryland.  (For the uninitiated, equestrian sports, and especially eventing, are ranked in difficulty by the number of stars, ranging from one to four.  There are only six four-star three-day events in the world and they are seriously, seriously badass.  A three-star event is one level below that, but just to put it in perspective, the three-day eventing competition at the Olympics is at the three-star level.)

Fair Hill is a gorgeous place, but given the time of year when the event is held, it’s almost invariably a mudpit.  And the first year that I arrived there to cover it for the British eventing monthly confusingly called “Eventing“, I sunk my rental car to the axles in the parking lot, schlepped through a sea of goo to the centre of activity, and failed to locate anything in the way of a structure that was designated for weary journalistic travellers such as myself.  After a good deal of feckless squishing around the trade fair, I finally located someone with a walkie-talkie, who looked me up and down with wonder and said something along the lines of, “Wow, we have PRESS!”

Okay, so safe to assume there’s no internet access, then …

The 1999 Pan Am Games, in Winnipeg, wasn’t much better.  While most of the competitions were very well-organized, the equestrian events were orphaned out in Bird’s Hill Park, some considerable distance from the rest of the venues and completely off the organizing committee’s radar.  Once we had visited the main press outlet in a huge urban convention centre, and claimed our oversized plastic press passes on lanyards, we were on our own.  We soon discovered that, in all the excitement of erecting dressage rings and building cross-country courses and battling the world’s largest and most aggressive squadrons of mosquitoes, that no-one had really factored in the presence of press out at Bird’s Hill.

Not only was there no press tent, there was no food.  The only fast-food truck was back in the stabling area, where we lowly journos were forbidden to venture.  (I nearly got my foot run over by an overly-aggressive security person in a Gator, when I suggested that it might be nice if someone brought all of us out some peameal sandwiches.  Sheesh.  Give some people a badge and a radio, and they become megalomaniacs.)

By day two, we were all doing rock-paper-scissors-lizard-Spock as to who got to do the Tim Horton’s runs (about 30 km from the park), and by day three, the delightful woman who had been organizing the feeding of the many, many volunteers it takes to run equestrian events at the Pan Am Games, started making all of the journalists and photographers extra sandwiches in brown bags.

Honestly, it was just about the sweetest thing I’ve ever seen.  And she got us Pan Am shirts and hats too.  I still have the hat somewhere.

At the other end of the press tent spectrum is Spruce Meadows, the showjumping Mecca in Calgary.  I haven’t had the pleasure of covering all that many tournaments at Spruce Meadows, but they can invite me back anytime.  Not only is there a climate-controlled press centre with every desired amenity from closed-circuit tv (should you not desire to look out the picture windows at the ring) to a scrum area, printers, and (gasp) flushies … but for the journalists covering the big weekend classes with the million-dollar sponsorships, they actually wheel in steam tables laden with prime rib, shrimp, three veg, and desserts.  Plus china plates, linen napkins, and cutlery.

I’m gonna say it again.  Cutlery.  Still makes my toes curl with sheer glee.

For journalists habituated to subsisting on potato chips, purchased three days earlier at a gas station and crushed into powder in one’s backpack, this isn’t just a pleasant meal, it’s an absolute revelation.

And by now, you’re probably coming to one very important and correct conclusion:  a fed journalist is a happy journalist.

It’s true.  We are simple, simple creatures, easy to lull into a state of contentment.  Again, it’s possible that this is all standard practice in other arenas of sports journalism, but I, for one, never ever take it for granted.  Mostly because it’s far more the exception than the rule, and one can’t even really assume that because it was offered one year, it will be offered another.

Take another three-star three-day event, called the Foxhall CCI***.  It required a flight to Atlanta to get to this one, but when it was launched, with much fanfare, by a local polo guy with deep pockets who committed to a 20-year run and huge (for eventing) prize money, we footloose freelancers were all intrigued.

So I land at the Atlanta airport, walk about 30 miles from concourse to concourse, claim my little rental car and navigate my way to the showgrounds, which is out in a communications dead zone where no cel phone comes out alive, about half an hour from Atlanta.  I am weary, I am grumpy, and I drag my laptop and cameras to a tent labelled “press” …. where I am immediately handed a huge plate of fried chicken and biscuits, and asked, “Red or white?”

Well.

Unfortunately, the exceptional hospitality at Foxhall didn’t last.  By year three, someone in accounting had cancelled just about all of the perks first showered upon the journalists, and had instituted box lunches that we could purchase for $8 apiece.  (And they were egg salad.  Yecch.  If egg salad were the last food on Earth, I would starve to death rather than consume it.  It’s just revolting.)

By year five, there was no press tent at all … just a power outlet that myself and the one other remaining freelancer who turned up, located up by the stables and took turns using to keep our laptops going when the batteries started to run low. The tycoon had apparently made some unfortunate business deals and was flat outta money.  The show lost its sponsorship and was unable to secure another one.  Needless to say, that 20-year deal failed to be honoured.

I don’t miss schlepping all the way to Atlanta, but man, that fried chicken was exceptional.

Truth is, however, we don’t attend horse shows for the food.  (Well, except for Fair Hill, which features amazing crab chowder in styrofoam bowls.)  We just want to write a good story about the action, and we’re prepared to make some sacrifices to do so.   My expectation, these days, is for a wobbly table and a plastic chair set under a leaky, drafty tent. If there’s a power outlet and internet access, all else is gravy.  And let’s face it, wi-fi, phone lines, and hydro are all fairly recent expectations.   Horse show grounds, historically, have not been the easiest places with which to provide these luxuries.  I get that.

Even Bromont, another three-day event site which once hosted the equestrian events at the 1976 Montreal Olympics and thus boasts a large, permanent grandstand, had zero in the way of power outlets or wi-fi available to the press last time I was there.  I had to beg a corner of the scorer’s trailer because I was filing daily reports for a website … where I was relentlessly entertained by an Equine Canada official who was drunk as a skunk, and getting increasingly belligerent, as she added up the scores.  Incorrectly.  Par-tay.

I know I’m not the only intrepid girl reporter who remembers huddling in a leaky tent at Rolex, the feet of my plastic chair sinking into the wet grass, clutching the edges of the garbage bag protecting my laptop from the elements, mentally begging the dial-up to work, and never once thinking, “I could have been a civil servant and worked in a nice, beige, upholstered cube farm somewhere.”

Thankfully, the Kentucky Horse Park was selected to host the World Equestrian Games in 2010, so its press tent set-up received gradual upgrades in the lead-up years, culminating in the whole business being moved indoors (indoors!) to a roomy space overlooking one of the indoor arenas.  With plumbing and all.  Now, all I have to kvetch about is that the windows give a tormenting view of the trade fair below, which I have neither the time nor the cash to peruse.

Many of my colleagues have trekked around the world to cover Olympic Games and World Equestrian Games and are more familiar with the scale of the press centres attached to these events than I; again, alas, not having a surfeit of Air Miles at my disposal, I have had to sit most of those out.  But the Kentucky WEG did give me a taste of the possibilities, without the associated hassles of passport-carrying.  (Though I did get various versions of pat-downs every dim early morning as I entered the park with my gear.)  Yes, it was a tent, but it was a tent designed for 1200 people, with an attached interview tent and a designated cafeteria just fer little ‘ol us.  (Overpriced, to be sure, but handy nonetheless.)  We had flatscreen TVs so we could watch the action in multiple arenas, we had Canon set up on-site with its IT guys, and my particular circle of acquaintances seemed to have a knack for winning the Rolex door prizes of bottles of champagne, by correctly guessing the nightly leaders on the scoreboards of the eight different equestrian disciplines we were all trying to cover.

I think champagne tastes particularly festive when sipped from a paper cup.

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Welcome to the Press Tent

Normally, on this particular week of the year, I would be feeling a little like I’d been run over by a herd of rampaging wildebeest.  That’s because this is normally the day after I would have gotten home from the Rolex Kentucky CCI****, at the Horse Park in Lexington.  It’s an annual pilgrimage, except that due to other commitments (and a serious shortage of funds) I didn’t make it this year.

Not that I’m not still running on a sleep deficit and generally feeling like death warmed over … it’s just that I don’t have any unpacking to do.

I do the 10- or 11-hour trek  to Kentucky every year for a variety of reasons.  First and foremost, it’s usually because I have scraped up some assignments to write about it and/or submit photographs.  Being of a generally destitute demeanour, I’m not sure I’d go if I had to pay $30 (or whatever it is, these days) to get in the gate, but if I have a press pass, as I have had for the past 20 years or so, that makes it a smidge more affordable.

Secondly, despite the fact that going south on I75 through Ohio is one of the most stultifying stretches of driving in the world (and that includes the notoriously soporific Hwy 401 between London and Windsor, a drive I have done many, many, many, many thousands of times), it all begins to improve as you approach Cincinnatti.  The endless stretches of flat, nothing farmland give way to rolling hills and blooming redbud trees along the highway …and your snow-numbed Canadian brain goes, “Yes!  Spring!  Foliage!  Signs of life!”

It can be very refreshing to see a bit of green, a couple of weeks early.

Tragically, though, I no longer get to enjoy one of the legendary landmarks of I75 near Cincinnati:  The Big Butter Jesus (just typed “Big Bugger”, oops — my bad), aka Touchdown Jesus, who used to emerge like a 60 foot Lady of the Lake, from an artificial pond in front of the Solid Rock Church right by the interstate.  Jesus used to tell me I was just an hour and a half away from Lexington.  But that was before he was struck by lightning and went up in flames a few years ago, leaving behind only a macabre metal skeleton.

Heywood Banks explains in song:

(Ooh, had to edit to add:  Big Butter Jesus has his own blog!  Dayam!)

The third reason for going to what is always called just “Rolex” by its aficionados: I like eventing.  To me there is absolutely no piece of horseflesh more thrilling than an upper-level event horse, usually a big strapping, ridiculously fit Thoroughbred with veins busting out of his coat, eating up the ground  in a nice easy gallop and jumping humongously massive, diabolically evil things that don’t come down when you hit them, like it was child’s play.

I also like the horsemanship and the mindset of eventers. Even at the international level, they’re all pretty self-deprecating, down-to-earth folks.  They like to party and they know every square centimetre of their horse’s bodies better than they know their own. You can’t ride cross-country with a stick up your ass, which is probably why I would much rather interview eventers than dressage riders or showjumpers, any day of the week.

If there’s a downside to covering eventing, it’s that the sport is dangerous. As much as the high muckety-mucks of the game have toiled (and they have toiled, tirelessly) to improve course design, equipment, and the rules over the last few decades, shit still happens. Not often. But it happens. Horses get injured. Rarely, they get killed, usually by catastrophic injuries such as when Laine Ashker’s horse, Frodo Baggins, flipped over a fence a few years ago and broke his neck. And because, at the three- and four-star level it’s just about the most strenuous thing you can ask a horse to do, there’s the odd aortic rupture, too, resulting in a horse’s sudden death. It’s devastating, just devastating.

And yes, riders get hurt and killed too, though I confess it’s the horse injuries that trash me … perhaps because, although (contrary to the perspective of the great unwashed who have no background in eventing) you cannot force a horse to jump cross-country fences, and the ones that rise to this level do it for the sheer joy of doing it, at the same time you can never really sit a horse down and explain the risks to him. Riders go out on course knowing full well what obstacles lie before them, but the horses just go out trusting their riders. But damn, that’s also what makes it heroic.

Every time I do witness a crash, and get that horrible sick feeling in my stomach over it, I swear I’m never going to cover this sport again. I just can’t deal with the downside.

But I always end up coming back.

(As an aside, when a wreck does happen on course, and I’m not ridiculous miles away from it, I always try to make my way over there as quickly as I can.  Some of my fellow photographers on course have accused me of being ghoulish for doing so.  But honestly, I’m not ambulance-chasing.  When an accident happens and it’s something relatively serious, the announcers usually go all quiet.  The competition stops while the emergency personnel get to work, and there’s no blow-by-blow update over the loudspeaker.  The longer the silence drags on, the more ominous it all becomes.  And because I am generally writing about the event as well as taking photos, I know I will eventually have to report on what happened.  There will be an official FEI press release about it at the end of the day, but generally these are so vague as to be useless.  So I would rather see firsthand what the situation is, as much as it makes me feel ill, than have to report based on rumour and hearsay.  And I do take pictures, but I NEVER publish those.  They are for my own information only.  Just in case you were wondering.)

Now it occurred to me that some (both?) of my gentle readers might not have experienced what, to me, has become normalcy:  the slightly surreal world of the horse show press tent.  And who am I not to share my delight with the universe?

I’m sure that, depending on the sport(s) you cover, you have different levels of expectation for the facilities set up for journalists.  Those who cover Formula One racing or pro football or yachting, for example, likely get wined and dined on a regular basis, courted with swag from Nikon and Canon, and take home little sponsor’s bags full of goodies. At least that’s what we idiots who cover eventing, jealously suspect.

Equestrian sports may have a hoity-toity reputation, but the reality for horsey journalists is more about leaky wellies and muddy  jeans, plastic bags duct-taped around your camera because you forgot the fitted little raincoat at home, surviving on granola bars, coffee, and overpriced bratwurst that repeats on you all afternoon, and waddling around the back forty of a cross-country course lugging three camera bodies and six 40 kg lenses wearing every single item of clothing you brought with you because it’s suddenly -5 Celsius.

And then there’s the sunburn, the shin splints, and weighing whether you can sprint to the extremely nasty porta-loo and back with all your equipment in the three minutes between horses on course … because of course the one single horse you don’t shoot in seven hours of competition, will inevitably be the one who wins and the only one anyone wants to purchase a photo of.

Oh, the glamour!

I can see this is going to be another one of my novel-length rants, so I’m going to save the particulars of the press tent for another post in the very near future.  Meanwhile, here’s another gratuitous eventing shot.

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